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Reuel Golden, Barney Hoskyns: 75 Years of Capitol Records

by Angelo Leonardi
75 Years of Capitol Records Reuel Golden, Barney Hoskyns 492 Pages Taschen 2017 Il 15 novembre 2016, il Los Angeles City Council ha proclamato il Capitol Records Day," una celebrazione del 75mo anno di vita della casa discografica, fondata a Los Angeles il 7 febbraio 1942. Tra le varie iniziative ...
Jazz Education: The Next Generation, Part 2

by Karl Ackermann
Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...
The Bad Plus: It's Hard

by Luca Canini
Bellino. Con un paio di cose decisamente riuscite. Ma che pochissimo aggiunge (e nulla toglie) a quel che i Bad Plus hanno detto, confermato e ribadito nel corso di quindici anni di più che onorata carriera. Fine della recensione. Nel senso che quel che leggerete da qui in poi potrebbe esservi utile nel caso in cui ...
John O'Gallagher Trio: Live In Brooklyn

by Roger Farbey
Over the past 25 years, altoist and New York resident, John O'Gallagher has worked with the likes of Joe Henderson, Maria Schneider, Kenny Wheeler, Billy Hart and Chris Cheek amongst many others. German born but long-time New Yorker bassist Johannes Weidenmueller has played with the Hank Jones trio, the John Abercrombie quartet, Joe Lovano and many ...
Michaël Attias Presents "Nerve Dance" Featuring Aruán Ortiz, John Hébert & Nasheet Waits

Available March 10, 2017 on Clean Feed Records Like a high-quality electronic product manufactured by the Panasonic Corporation, the career of alto saxophonist Michaël Attias has always involved being slightly ahead of his time...”—Ken Waxman, JazzWord Nerve Dance—saxophonist/composer/bandleader/conceptualist Michaël Attias’ sixth album (available on Clean Feed Records, March 10, 2017), which deals with the aesthetics of ...
Art Pepper: Presents “West Coast Sessions” Volumes 1 & 2

by C. Michael Bailey
Alto saxophonist Art Pepper's comeback began the release of Living Legend (Contemporary, 1975). His previous 20 years had been fully devoted to heroin and prison, and their inevitable aftermath. Following the release of Living Legend, Pepper toured Japan in April 1977 and March 1978. Pepper found his most dedicated and enthusiastic crowd in Japan, recording a ...
The Brian Dickinson Quintet: The Rhythm Method

by Dan McClenaghan
Toronto-based pianist Brian Dickinson explores the quintet with a two sax front line" on The Rhythm Method. He takes his lead from the somewhat overlooked pianist/conceptualist Lennie Tristano, who broke the ground with his historic 1949 Capitol Sessions featuring Lee Konitz on alto sax and Warne Marsh on tenor sax; and with his 1956 recordings with ...
Randy Kaye Quintet: Brooklyn 1967, May 24th

by Alberto Bazzurro
Ha abbastanza dell'incredibile il destino di queste matrici: registrate, verosimilmente per finire su un doppio LP, nella primavera 1967, in studio, con materiale di sicuro interesse e adeguata resa fonica, sono rimaste invece nel fatidico cassetto (o scaffale che dir si voglia) per quasi mezzo secolo, uscendo a otto anni (nessun anniversario particolare, quindi) dalla morte ...
Things We Like: Novembre 2016

by AAJ Staff
By VIC ALBANI Se state cercando un grande regalo musicale per il prossimo natale, ecco uno dei più dischi più belli e interessanti degli ultimi anni, sopra ogni etichetta, sopra ogni genere. Before the Dawn, raccoglie lo straordinario ritorno sulle scene una tantum" di sua maestà Kate Bush, vale a dire la ...
Rick Hannah / Erwin Siffer: 2-Man Jazz Band

by Budd Kopman
Piano and guitar is a relatively rare combination for a number of reasons including overlapping ranges and having the similar timbre of percussive string. Yes, players of both instruments spend a lot of time perfecting a singing or legato sound, but in the end they are what they are. Instead of fighting it, with ...