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Article: Liner Notes

Ed Cherry: Are We There Yet?

Read "Ed Cherry: Are We There Yet?" reviewed by Andrew Scott


In debates between Kenneth Miller, Richard Dawkins, and the late Stephen Jay Gould, the “stay in your lane" boundaries that separate science from theology/philosophy become particularly porous, revealing the frequency with which individuals intellectually “drift" in order to hold onto seemingly contradictory opinions of truth (empirical, scientific) and belief. Jazz, no less an ideology, ...

Album

Revival: Live At Pookie’s Pub

Label: Blue Note Records
Released: 2022
Track listing: Keiko's Birthday March; Gingerbread Boy; 13 Avenue B; My Funny Valentine; M.E..; On the Trail; Softly As In A Morning Sunrise; Raunchy Rita; Oleo.

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Article: Album Review

Muriel Grossmann: Universal Code

Read "Universal Code" reviewed by Mark Corroto


Infectious is a word much maligned of late. What with a worldwide pandemic, the word has come to stand in for other terms such as contagious and transmittable. The word though has another meaning as demonstrated by saxophonist Muriel Grossmann's Universal Code. Infectious can also mean irresistible or compelling in an infectious way. Together with her ...

232

Article: Interview

Joe Lovano: Cleveland's Ultimate Jazz Titan

Read "Joe Lovano: Cleveland's Ultimate Jazz Titan" reviewed by Matthew Alec


Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...

Article: Album Review

Elvin Jones: Revival: Live at Pookie's Pub

Read "Revival: Live at Pookie's Pub" reviewed by Angelo Leonardi


Non c'è solo la musica --tumultuosa e avvincente-- a porre in primo piano questo doppio CD (o triplo LP) del quintetto di Elvin Jones, ripreso in un piccolo club di Manhattan dal 28 al 30 luglio 1967. L'edizione fortemente voluta da Zev Feldman (dopo 11 anni di tentativi presso varie etichette) illustra il ...

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Article: Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Chris May


A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty ...

News: Birthday

Jazz Musician of the Day: Larry Young

Jazz Musician of the Day: Larry Young

All About Jazz is celebrating Larry Young's birthday today! A true innovator on the Hammond B3, Young took a different musical path than any of the other organ masters of his time: Although he started out drawing his major influences from the work of Jimmy Smith and the gospel and blues elements that other players employed, ...

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Article: Live Review

Rick Savage 4Tet at UpFront Exhibition Space

Read "Rick Savage 4Tet at UpFront Exhibition Space" reviewed by David A. Orthmann


Rick Savage 4Tet UpFront Exhibition Space Hudson Valley Jazz Fest Port Jervis, NY August 20, 2022 The most impressive jazz performances offer a variety of opportunities for the attentive listener. Regardless of stylistic orientation, a first-class jazz band often incorporates rapidly shifting alliances as players deftly juggle collective and individual ...

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Article: Album Review

Greg Duncan: Sound Duality

Read "Sound Duality" reviewed by Troy Dostert


Trumpeter Greg Duncan moved from Chicago to Philadelphia in 2020, and the change of environment brought about more than an altered geography. It gave Duncan the chance to forge some creative partnerships with two new ensembles, both of which are found on Sound Duality. The first, a conventional quartet, utilizes the talents of pianist Tim Brey, ...

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Article: Album Review

Miles Davis: Stockholm Live 1967 & 1969 Revisited

Read "Stockholm Live 1967 & 1969 Revisited" reviewed by Maurizio Comandini


Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al ...


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