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Oliver Lake: Makin' It
by Hrayr Attarian
Changing a few elements of a well known musical format may be all that is needed to create a new and fresh sound. Makin' It, Oliver Lake has taken the old saxophone organ trio popularized in the 1950s by the likes of Ike Quebec and made it into a new vehicle for 21st ...
The Allman Brothers Band: 40 Years Out
by Alan Bryson
So what do Randy Brecker, Stanley Clarke and Lenny White have in common with Kid Rock, Eric Clapton and Billy Gibbons of ZZ Top? All were part of the Allman Brothers Band's three-week musical extravaganza at New York City's Beacon Theater celebrating the band's 40th anniversary. This year's list of surprise guests also included ...
Nathan Davis: The Best of Nathan Davis '65-'76
by Clifford Allen
Nathan Davis The Best of Nathan Davis '65-'76 Jazzman 2009 The concept of a “Best Of" album seems like it should be set aside for those musicians who have entered the popular consciousness to the degree that a sampler disc would be an easy sell. In jazz, canonical ...
David Sanborn: Sound and Silence
by Jason Crane
Saxophonist David Sanborn is one of the most recognizable instrumentalists in modern music. From his many television appearances--on his own show, Night Music, and with David Letterman's band--to his popular records and tours, Sanborn is among the few names in jazz that non-jazzheads can recognize. In 2008, Sanborn released Here & Gone (Decca, 2008), ...
Grant Green: Street Of Dreams
by Chris May
Grant Green (1931-79) is probably the most sampled guitarist of his generation, and is rightly regarded as a godfather of acid jazz. His debut, Grant's First Stand (Blue Note, 1961)--heavy on the good foot groove--was made with soul jazz organist Baby Face Willette, and by 1965, when Green recorded an album for Verve, the label was ...
Alex Cline: Free-Spirited Drummer
by R.J. DeLuke
West coast drummer/percussionist Alex Cline is a sensitive player with a strong feel for interesting harmonies, shifting voices and changing moods when he writes music. It's a sensitivity not usually associated with drummers. But what's inside Cline, and comes through in his music, is from an artist and a musician, not merely a drummer. ...
Brian Patneaude: Riverview
by Mark F. Turner
With Riverview, saxophonist Brian Patneaude continues to grow not only as a performer but also as an empathetic leader and composer. Like one of his influences, the esteemed Michael Brecker, Patneaude's voice is imbued with strength, melodicism and that certain New York state of mind. A few changes in personnel and instrumentation from ...
Dr. Lonnie Smith: Rise Up!
by John Barron
Rise Up! is Dr. Lonnie Smith's third release for Palmetto Records and a welcome addition to the organist's rich recorded legacy. Since bursting onto the scene as a member of George Benson's quartet in the 1960s, the Buffalo native has been an unrelenting force on the Hammond B3. Joined here by alto saxophonist Donald Harrison, guitarist ...
Blue Note Connoisseur: Andrew Hill, Larry Young, Horace Silver and more
by C. Andrew Hovan
When the first batch of Blue Note titles released under the new “Connoisseur" umbrella hit the stores in 1994, collectors were astounded by the news that the label would be undergoing a reissue campaign that would focus on the under appreciated gems that they had been looking to acquire for so long. In fact, this reviewer ...
