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Article: Radio & Podcasts

Spike Wilner, Avishai Cohen, Bobby West & Laura Anglade

Read "Spike Wilner, Avishai Cohen, Bobby West & Laura Anglade" reviewed by Joe Dimino


We kick off the 912th episode of Neon Jazz with a fresh voice making waves--Laura Anglade, the enchanting singer blending deep French roots with a breezy American jazz flair, as we spin a track from her luminous 2025 album Get Out of Town. From there, it's a rich journey through the jazz landscape. We hear from ...

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Article: Radio & Podcasts

Tobias Meinhart, Vincent Peirani, Mathias Landaeus, Jon Irabagon & More

Read "Tobias Meinhart, Vincent Peirani, Mathias Landaeus, Jon Irabagon & More" reviewed by Ludovico Granvassu


Music that was recorded live, music that is about to be (or has just been) performed live, and music that is keeping us alive, in this lively set.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Ballaké Sissoko, Vincent Segal, Emile Parisien, Vincent Peirani “Orient Express" Les ...

4

Article: Inside the Songs

LaMP: The Three Of Me Blend Into One Of Us

Read "LaMP: The Three Of Me Blend Into One Of Us" reviewed by Dean Nardi


LaMP's rousing albums have a knack for keeping you listening, whether it is Russ Lawton propelling the trio along through punchy, substantial snare, Ray Paczkowski indulging in the inner point-of-view of melody and harmony on both organ and clavinet, or Scott Metzger inserting reveal after reveal in a twist-laden odyssey of gleeful, darting notes. But there ...

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Article: Take Five With...

Take Five with Accordionist Nathan Koci

Read "Take Five with Accordionist Nathan Koci" reviewed by AAJ Staff


Meet Nathan Koci Nathan Koci is a composer, performer, and music director working across a variety of styles and disciplines, from jazz to theater to dance to improvised and experimental musics. His album Solomon Diaries Vol IV & V (Adhyaropa Records, 2025) with clarinetist Sam Sadigursky is a modern take on Klezmer jazz. As ...

5

Article: Album Review

Larry Goldings: I Will

Read "I Will" reviewed by Joshua Weiner


Larry Goldings is best known as an organist with a particular gift for bass lines, as exhibited on high-profile releases such as the Grammy-winning Trio Beyond--Saudades with Jack DeJohnette and John Scofield (ECM, 2007). Nevertheless, he trained as a classical pianist and has stuck to the 88's for several recordings, including well-regarded work with Jim Hall ...

7

Article: Play This!

Michael Brecker: Timeline

Read "Michael Brecker: Timeline" reviewed by Scott Lichtman


While the song “Timeline" is structured as a straightforward minor blues, it is nonetheless attention-grabbing and inspiring, for several reasons. First, Michael Brecker, Pat Metheny, Larry Goldings and Elvin Jones are the epitome of musicality, whether appreciated individually or as a unit. Then there is Metheny's composition: just when the listener becomes hooked on the catchy ...

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Article: Album Review

Coleman Mellett: Sing You a Brand New Song

Read "Sing You a Brand New Song" reviewed by Fran Kursztejn


If guitarist & singer-songwriter Coleman Mellett was “known" at all, it's for his brief yet exciting contributions to Chuck Mangione's ensemble. He played in Mangione's band between 1999 and the eve of his shocking death in 2009, along with 49 other passengers and crew members on the Colgan Flight 3047. His sensitive, versatile strumming challenged bandmates ...

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Article: Radio & Podcasts

Trios, Voices And More

Read "Trios, Voices And More" reviewed by Bob Osborne


A feast of new releases this time includes a selection of albums featuring emerging jazz vocalists. In addition trios make up a good part of the show demonstrating the versatility and impact of that formation of players. Also there is a variety of new music from exciting artists including two tracks from guitarist Doug MacDonald. Three ...

2

Article: Year in Review

I Dischi del 2024 secondo Ludovico Granvassu

Read "I Dischi del 2024 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu


Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...

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Article: Year in Review

Ludovico Granvassu's Garden of Jazzy Delights 2024

Read "Ludovico Granvassu's Garden of Jazzy Delights 2024" reviewed by Ludovico Granvassu


Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...


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