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Troy Dostert's Best Releases of 2020
by Troy Dostert
2020 will be remembered as a year of resilience. And surely a part of that story will be the fortitude displayed by musicians of all stripes, who have endeavored creatively to manage the challenges of a hollowed-out economy and a global pandemic with innovative business platforms and novel approaches to recording and content delivery. The jazz ...
Eric Revis: Slipknots Through a Looking Glass
by John Sharpe
On Slipknots Through a Looking Glass, bassist Eric Revis helms a five strong unit to experimental ends juxtaposing emotionally ambiguous abstraction with gut punch drive. To cover the bases he unites saxophonists Bill McHenry and Darius Jones from the quartet which waxed In Memory Of Things Yet Seen (Clean Feed, 2014), with the pianist Kris Davis ...
Diskonife, Bruno Räberg, Orientation of We & European Releases
by Maurice Hogue
Bassist Bruno Räberg's reputation as a very creative cat is reinforced by his new release, The Prospector, an excellent album with saxophonist Allan Chase and drummer Austin McMahon. Find it on Orbis, Bruno's own label. Speaking of labels, vibraphonist Matt Moran started Diskonife as a new creative outlet for independent releases, which has launched with releases ...
The Volcanic World Of Pyroclastic Records
by Mark Corroto
As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...
We've Just Begun - A Review of Recent Recordings
by Mary Foster Conklin
Despite the pandemic, it has been a great year for new music. Today's broadcast includes new releases from cellist Tomeka Reid and pianist Carol Welsman, plus a review of various recordings that are on this year's preliminary Grammy ballot. Thanks for listening and please support the artists you hear by purchasing their music during this time ...
Tim Berne: The Deceptive 4—Live
by Mark Corroto
The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...
Festa do Jazz 2020
by Henning Bolte
Centro Cultural Belem Festa do Jazz 2020 Lisbon September 12-13, 2020 Festa do Jazz, celebration of jazz, is the annual meeting of the Portuguese jazz community. It is normally held end of March/begin of April. For many years it took place in old glory theatre São Luis Municipal in the Baixa-Chiado ...
Two From The Pyroclastic Label: Cory Smythe & Eric Revis
by Jerome Wilson
The Pyroclastic label run by pianist Kris Davis received a lot of attention last year due to the critical acclaim given Davis' own album on the label, Diatom Ribbons. It has kept going this year, continuing to present challenging projects by forward thinking musicians. Here are a couple of them. Cory Smythe
Eric Revis: Slipknots Through a Looking Glass
by Vincenzo Roggero
Eccola la nuova formazione del contrabbassista Eric Revis, un incontro di storici collaboratori che promette meraviglie. Al quartetto che licenziò nel 2014 In the Memory of Things Yet Seen si aggiunge la pianista Kris Davis già presente nel precedente City of Asylum e nel successivo Sing Me Some Cry (tutti per Clean Feed) e il cerchio ...
Tineke Postma: Freya
by Ian Patterson
Following the co-led outing with Greg Osby that was Sonic Halo (Challenge Records, 2014), Dutch saxophonist Tineke Postma took a step back from her solo career to raise a family. In the intervening years there were two trio albums with Nathalie Loriers, but Freya-- Postma's debut on Edition Records--marks her comeback as a leader. Inspiration comes ...
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