Home » Search Center » Results: Kenny Dorham
Results for "Kenny Dorham"
In Tune or Not in Tune... That Is the Question
by Jack Bowers
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...
Jazz at Lincoln Center Orchestra with Wynton Marsalis, Mesa, AZ, March 8, 2013
by Patricia Myers
Jazz at Lincoln Center Orchestra with Wynton MarsalisMesa Arts CenterMesa, AZMarch 8, 2013The 25th anniversary concert by the Jazz at Lincoln Center Orchestra with Wynton Marsalis was an homage to the past, sparked by elements of modernism with a mix of standards by Duke Ellington, Gerry Mulligan and Chick Corea, plus ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
Antonio Adolfo: Finas Misturas (Fine Mixtures)
by C. Michael Bailey
Brazilian pianist/composer Antonio Adolfo has been making important contributions to the Brazilian-Caribbean musical discography for 40-plus years. His most recent recordings--Chora Baiao (Self Produced, 2011), with Adolfo as leader, and La e Ca (AAM Music, 2010), made with daughter, vocalist Carol Saboya--display the results of a careful evolution of jazz through Caribbean and South American music, ...
Jonas Holgersson: 4003
by Chris Mosey
Four young Swedish musicians and one expat Englishman attempt to reverently recreate hard bop from the 1950s and '60s. The title, 4003, was the catalogue number for Art Blakey's Moanin' (Blue Note, 1958). The album features 12 numbers, most of them considered classics, by the likes of saxophonists Hank Mobley and Clifford Jordan, guitarist Grant Green, ...
Dorian Devins: The Procrastinator
by C. Michael Bailey
Ginny Carr and the Uptown Vocal Jazz Quartet recently paid proper homage to vocalese master Eddie Jefferson with the song “He Was the Cat," from Hustlin' For A Gig (HouseKat Records, 2012). Jefferson, along with Clarence Beeks (King Pleasure), specialized in writing lyrics for and singing the more notable jazz compositions, like “Moody's Mood for Love" ...
More Fresh Sounds From Fresh Sound
by Bruce Klauber
The Fresh Sound record label has released another superb batch of late 1950s and early 1960s recordings by jazz legends, greats, near-greats and now obscure artists who, then and now, deserve wider recognition. As detailed in previous pieces, Fresh Sound is the only organization out there issuing these essential works, which otherwise would remain lost.
Damani Phillips: The Reckoning
by Victor Verney
Damani PhillipsThe ReckoningSelf Produced2012“Reckoning" is a complex word with many shades of meaning, an apt choice for reedman Damani Phillips' latest CD. As a noun, it signifies (among other things) an objective appraisal built with concrete facts. Used as a verb, the word denotes an educated guess based ...
Joe Henderson: In 'N Out
by Greg Simmons
Music Matters is extending its reissue run of classic Blue Note records, which has led them to tenor saxophonist Joe Henderson's 1964 session In 'N Out. His third album as a leader for the label, In 'N Out mixes aggressive hard bop with more searching ballads on its way to turning into a musically diverse, first-rate ...
