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Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Jack Kenny
The vagaries of the jazz life are all over this release. Why Kenny Dorham should be underappreciated is a mystery. For the gig at the Blue Morocco he had assembled a great super group with a deep well of experience. Drummer Denis Charles had worked with Cecil Taylor. Kenny Dorham had accompanied Charlie Parker, at Parker's ...
Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Thierry De Clemensat
Another remarkable chapter in contemporary music comes to life once again, thanks to Resonance Records. It was from 1967 that Blue Bossa In The Bronx: Live from the Blue Morocco emerged, an unreleased performance by the legendary jazz trumpeter Kenny Dorham, recorded live at the Blue Morocco jazz club in the Bronx, NY. The session features ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Pierre Giroux
Trumpeter Kenny Dorham's stature in jazz history is undeniable, yet he remains one of music's most under-appreciated masters. Despite being a vital presence among the great innovators of his era, Dorham never achieved the star power his talent deserved. In conjunction with Record Store Day, Resonance Records is releasing Blue Bossa in the Bronx: Live from ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...
New Releases, Record Store Day Specials, And Ivo Perelman On Leo Records
by Bob Osborne
This show includes many new releases and lots of those are self produced demonstrating the healthy state of independent music production in the industry. There is some classic jazz meets rock from over 20 years ago plus three outstanding live albums from Resonance Records for Record Store Day 2025. In addition with the planned release of ...
Ashley Jackson, Reginald Cyntje, Kevin Sun, Fred Moten and Brandon Lopez
by Cheryl K.
During this week's two-hour program of Jazz and improvised music, new music from harpist Ashley Jackson, trombonist Reginald Cyntje, vocalists Jackie Myers and Brittany Davis, two picks for Record Story Day (RSD), two selections from saxophonist Kevin Sun, and poet Don Paul. Playlist Gerry Mulligan “My Old Flame" from The Complete Pacific Jazz Recordings ...
Jazz Highlights for Record Store Day 2025
by Kyle Simpler
For most Americans, April brings to mind tax deadlines and spring cleaning. But for vinyl collectors, April means something far more exciting: Record Store Day. Each year, music lovers line up early for a chance to snag limited-edition releases--many of them archival treasures, rarities, or long-lost recordings brought back to life. While the overall selection spans ...
Jazz Continuum Latin Edition
by David Brown
This week, we're featuring the Jazz Continuum Latin Edition. Let's dive into some Latin sounds from NYC, starting with Pete Rodriguez's “I Like It (I Like It Like That)," followed by the Joe Cuba Sextet and Nuyorican percussionist Ray Barretto. We'll also spotlight two albums from this weekend in history: Kenny Dorham's Afro-Cuban (1955) and McCoy ...
Zev Feldman: Guardian Of Jazz Legacies
by Stephen Braunginn
Zev Feldman, co-president of Resonance Records and a highly accomplished jazz producer and historian, delves into the process of discovering and curating legacy jazz music, including the importance of identifying great recordings, obtaining permissions, and creating captivating album packages. Feldman also highlights the significance of Record Store Day in bringing these projects to life and recounts ...
