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Results for "Kenny Dorham"
Larry Willis: I Fall in Love Too Easily
by Jack Bowers
I Fall in Love Too Easily is subtitled “The Final Session at Rudy Van Gelder's," as it is not only descriptively but literally the last recording session by veteran pianist Larry Willis, who died at age seventy-six in September 2019, one year after the album was completed at the renowned Van Gelder studio in Englewood Cliffs, ...
Into the ‘Now’s The Time’ Warp & Much More
by Marc Cohn
Oh, what a show for you! We start with twenty-first century New-Orleans-centric sounds from Charlie Dennard on the B-3, Billy Martin's Wicked Knee, Binker Golding, and a sexy song from Herlin Riley. We celebrate the life of Sonny Rollins with tracks from his Jazz Contrasts sideman gig with Kenny Dorham. And then there are two really ...
Jimmy Heath: Love Letter
by Thomas Fletcher
Often nicknamed “Little Bird," Jimmy Heath began on the alto saxophone acquiring this informal title by dedicating his studies to Charlie Parker and his wee stature. Although not a familiar name to many outside of the devoted jazz community, Heath would go on to pursue a remarkable 76-year career sadly passing away in January, 2020. A ...
Jimmy Heath: Love Letter
by Chris May
Love Letter is the final album to be made by saxophonist Jimmy Heath, who passed in January 2020 aged 93. It was completeted just a month earlier. The title is well chosen: the album is a love letter to jazz, a love letter to ballads, and a love letter to Heath's surviving family members, friends and ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
Kenny Dorham in 10 Tracks
Trumpeter Kenny Dorham never received the recognition he deserved. I'm not sure why. Part of the problem, I suppose, is that he was a gentler soul among hotter players such as Dizzy Gillespie, Miles Davis, Fats Navarro, Clifford Brown and others. He certainly was on plenty of remarkable recording sessions, and his playing was pretty and ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
John Swana: Philly Gumbo
by Victor L. Schermer
From the 1995-2003 archive: This article first appeared at All About Jazz in June 2000. In addition to being one of the finest contemporary jazz trumpet players, John Swana is a human being who is spontaneously authentic and refuses to play a false role. Having reached the ripe old age of 38, John has ...
The TNEK Jazz Quintet: Plays the Music of Sam Jones
by Jack Bowers
The late Sam Jones is mainly remembered as an earnest craftsman whose perceptive bass lines undergirded the likes of Cannonball Adderley, Oscar Peterson, Cedar Walton, Barry Harris, Kenny Dorham, Bobby Timmons, Bill Evans and a host of other jazz masters. Jones, however, had another special albeit lesser-known talent, one that is addressed here, almost forty years ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
