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Phase Dancing: Gottlieb, Wertico, Sanchez—The Art of Drumming in the Pat Metheny Group
by Joseph Vella
It was 1978 when I first heard “Phase Dance" on Bay Area jazz station KJAZ from a new band called the Pat Metheny Group (PMG). The music didn't just blow me away, it also spoke to me on such a deep level. Little did I know, it would stay with me forever. What the PMG did ...
Johan Lindvall Trio: This Is Not About You
by Chris May
If you ask a jazz fan to name the greatest piano trio albums ever made, the probability is that their top twenty choices will include Erroll Garner's Concert By The Sea (Columbia, 1955), Ahmad Jamal's But Not For Me (Argo, 1958), Bill Evans' Sunday At The Village Vanguard (Riverside, 1961), Keith Jarrett's Standards Vol. 2 (ECM, ...
Bill Frisell, Beautiful Dreamer
by AAJ Staff
The following is a revised excerpt from “Chapter 20: Frislandia" of Bill Frisell, Beautiful Dreamer by Philip Watson (Faber & Faber, 2022). Bill Frisell's music has always, right from the beginning, raised critical questions about definition and classification, about the very nature of genre. What is it that Frisell is playing, and how ...
Bugge Wesseltoft: Be Am
by Gareth Thompson
In a 2008 interview, Bugge Wesseltoft spoke of his despair at seeing civilians suffer throughout history, unable to protect their families and children from wars. He also noted that watching such events unfold from the safety of his Norwegian homeland was painful. Wesseltoft had recently released his superb album IM (Jazzland Recordings, 2007) which found him ...
Lennie Tristano Personal Recordings, 1946-1970
by Peter Rubie
They called it the Cool School, but what's in a name?In this case, quite a lot as it happens. The Cool School included musicians like Chet Baker, John Lewis and the Modern Jazz Quartet, and Dave Brubeck. Under the guidance of arranger and composer Gil Evans, it established itself in an unquestionable way with ...
2021’s Overlooked and Underrated Gems
by Pat Youngspiel
Giovanni Guidi Ojos De Gato CAM Jazz 2021 In a year where saxophone roots-revivalist James Brandon Lewis made headlines everywhere --topping multiple year end lists for his collaboration with the Red Lily quartet on Jesup Wagon (among numerous placements in jazz publications around the globe for that album and ...
Keith Jarrett: A Biography
by Mario Calvitti
Keith Jarrett: A Biography Wolfgang Sandner xiv-216 pagine Equinox Publishing 2020 Nel vasto panorama delle biografie di musicisti mancava un aggiornamento di quella di Keith Jarrett, rimasta ferma al 1991, anno di pubblicazione della biografia scritta da Ian Carr, rimasta finora unico testo di riferimento per il pianista di ...
The Digital Content Producer: Joseph Vella
by B.D. Lenz
We've all witnessed how quickly the explosion of technology has changed life in recent years. Arguably, the internet has revolutionized every facet of our life, including how we consume music. We tend to think of technology as some faceless machine that continually churns forward and forget that behind it all are passionate individuals who are pioneering ...
Bill Goodwin: Not Less Than Everything
by Victor L. Schermer
Bill Goodwin is like a breath of fresh air blowing through jazz. From the time around 1954 when he was in Los Angeles and just learning the drums, and inspired by Shelly Manne, to today, around his 80th birthday, he has loved jazz and the musicians unconditionally. He has befriended and worked with so many of ...
Mauro Gargano: il contrabbasso è il mio giardino segreto
by Neri Pollastri
Mauro Gargano, contrabbassista e compositore barese da molti anni residente a Parigi, ha pubblicato nell'ultimo anno e mezzo due album, Nuages e Feed, assai diversi tra loro per formazione, stili e atmosfere, ma entrambi molto interessanti e personali. Siamo andati a parlarne con lui, anche per conoscere la sua storia e quella dei jazzisti italiani trasferitisi ...
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