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Arve Henriksen: Arve Henriksen: The Nature of Connections
by Karl Ackermann
There are musicians who defy compartmentalization based on ever shifting interests and styles. Fewer are those like trumpeter Arve Henriksen whose organic nature precludes musical definition. Throughout his career as a leader on the Rune Grammofon label, he has created collections that seem bound together only by his presence. The delicate Asian influences of Sakuteiki (2001), ...
Mark Turner Quartet: Lathe of Heaven
by Karl Ackermann
Saxophonist Mark Turner favors quality over quantity. Lathe of Heaven--his first outing as a leader since 2001--is his first on the ECM label. Turner has hardly been absent from the music scene as the intervening years have seen him as a sideman for guitarist Kurt Rosenwinkel and saxophonist David Binney among many others. He's gathered strong ...
Brian Groder: Reflexology
by Karl Ackermann
A long-time fixture in the his native New York City jazz scene, trumpeter and flugelhorn player Brian Groder has devoted a considerable part of his career to the frequent use of free-form approaches. His previous trios have included bassist Dominic Duval and drummer Newman Taylor Baker. Groder has also worked with trumpeter Taylor Ho Bynum and ...
Hafez Modirzadeh: In Convergence Liberation
by Karl Ackermann
Multi-reed player and composer Hafez Modirzadeh has created a sweeping global experience with In Convergence Liberation; a further examination of the cross-cultural influences explored on Post-Chromodal Out (PI Recordings, 2012). The earlier recording incorporated elements of multi-regional modalism and chromatics, and these compositional techniques are made even more textural with a significantly deeper line up of ...
Louis Sclavis Quartet: Silk and Salt Melodies
by Karl Ackermann
With its ancient roots and latter-day association with New Orleans, Dixieland and swing, the clarinet isn't often a frontline instrument in modern jazz let alone avant-garde. A handful of players such as Don Byron and Marty Ehrlich have aided in its prominence but not many. In the hands of Louis Sclavis the bass clarinet is not ...
Stefano Bollani: Joy in Spite of Everything
by Karl Ackermann
Largely unacquainted as a unit, the quintet that formed around Italian pianist Stefano Bollani for Joy in Spite of Everything connects with the empathetic familiarity of a long-standing group. The leader--a professional pianist since the age of fifteen--has crossed over most every genre from classical to avant-garde and with equal proficiency. While his early encounters with ...
Mason Bates: Stereo Is King
by Karl Ackermann
Modern composer and electronics artist Mason Bates is equally comfortable in the worlds of new classical and hip hop. Working closely with the symphony orchestras of San Francisco and Chicago, he has been a driving force in escalating the role of electronics in the orchestra setting. To that end, Bates has put years into the study ...
Pharoah & The Underground: Spiral Mercury
by Karl Ackermann
With Pharaoh & the Underground we have two generations of musicians whose common bond is their greatness. Tenor saxophonist Pharoah Sanders--heir to his friend and colleague John Coltrane--and Rob Mazurek, the most inventive cornetist since Louis Armstrong are captured together on Spiral Mercury . The album is a document of a 2013 concert, one of the ...
Phillip Blackburn: Music of Shadows
by Karl Ackermann
UK native and multi-media artist Phillip Blackburn approaches the musical structures on Music of Shadows as part naturalist, part classical composer and brings the two elements together in an avant-garde narrative. Blackburn's works have been performed in numerous outdoor settings and art galleries as well as on traditional stages. The physical locations of performances are an ...
Max Johnson: Big Eyed Rabbit
by Karl Ackermann
Bassist Max Johnson is one of the most prolific and versatile musician/composers in music today and likely on the verge of a major breakthrough. Barely past the year's mid-point Johnson has offered three fine releases with different groups and distinctly different styles. Recording with Kirk Knuffke on cornet on Johnson's namesake trio release The Invisible Trio ...
