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Orthodox: Supreme

by Karl Ackermann
As part of a 2010 five-disc anthology, The NYFA Collection: 25 Years of New York New Music (Innova), one musician, Eric John Eigner, contributed a piece called Music for Faucet" which consisted of the sounds from his Brooklyn bathroom faucet. By manipulating pitch and rhythm through the flow of hot and cold water, and adjusting the ...
Le Tout-Puissant Orchestre Poly-Rythmo: Madjafalao

by Karl Ackermann
Le Tout-Puissant Orchestre Poly-Rythmo is a difficult ensemble to follow. For one thing, they have functioned under the names Poly Rythmo de Cotonou, TP Orchestre Poly-Rythmo and L'International Poly-Rythmo among others. Add to that, a frequently shifting line up, a series of serious misadventures, a long period of dormancy, and their lack of familiarity outside of ...
Satoko Fujii Orchestra Tokyo: Peace

by Karl Ackermann
The profusion of settings in which multi-instrumentalist/composer Satoko Fujii works is something of a phenomenon. The extent to which she brings something unique to each of those situations is even more astounding. In her husband Natsuki Tamura's Gato Libre quartet, Fujii typically plays the accordion to interpret the trumpeter's more lyrical and folkloric compositions. The pair ...
São Paulo Underground: Cantos Invisíveis

by Karl Ackermann
In the spring of 2015 Rob Mazurek's São Paulo Underground expanded their touring formation and added Black Cube SP" to their name for a tour that briefly made stops in the U.S. The enlarged group featured the addition of Thomas Rohrer on rabeca, a Brazilian viola. Rohrer, a Swiss native transplanted in Brazil was part of ...
Noah Preminger: Meditations on Freedom

by Karl Ackermann
Open and civil discourse has always been a tenant of democracy. Recent political events in the U.S. have reduced that discourse to a crude, gutter-level low that has left an alienated population in its wake, marginalized and left without a strong voice. From the time of the Civil War, protest music has provided counsel for vulnerable ...
Adam Berenson / Scott Barnum: Penumbra

by Karl Ackermann
Not one to be tethered to genres or styles, pianist and composer Adam Berenson has been long at home as a jazz pianist, a classical composer, an electronics player or any permutation of those roles. His previous double-CD Lumen (Dream Play, 2014)--complete with two string quartets--was indeed a far-ranging collection of styles and genres that the ...
Matthew Shipp Trio: Piano Song

by Karl Ackermann
Recent months in 2016 have seen the release of at least a half-dozen albums featuring Matthew Shipp including The Uppercut (ESP-Disk) with Polish reed player Mat Walerian, Live in Sant'Anna Arresi, 2004 (AUM Fidelity), a duo release with the late David S. Ware, the Bobby Kapp duo recording Cactus (Northern-Spy Records) and The Core Trio Live ...
Lettuce: Mt. Crushmore

by Karl Ackermann
The long-time jazz/funk band Lettuce has been referred to in terms that liken their sound to an evangelizing of funk and that is certainly a fitting descriptions for a good portion of their music. What the funk-laden descriptions obscure is that the blending of a strong jazz element makes this group unique. That aspect is largely ...
Colin Vallon / Patrice Moret / Julian Sartorius: Danse

by Karl Ackermann
Pianist Colin Vallon seems on the verge of a creative breakthrough with his new trio album Danse. With his third ECM trio release Vallon has cemented a personal approach to his music; it is one that has taken time to unfold much like many of his compositions. In his writing, as well as group interplay, the ...
Sei Miguel: (Five) Stories Untold

by Karl Ackermann
As he did on his two previous Clean Feed albums Suite for a Jazz Combo (2010) and Salvation Modes (2014), Portuguese trumpeter Sei Miguel works with the pocket variety of the instrument and sounds superb in the process. With (Five) Stories Untold he utilizes a revolving cast of players in tempering abstraction with an abundance of ...