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Tomasz Stańko New York Quartet: December Avenue
by Karl Ackermann
The elder statesman of modern Polish jazz, trumpeter and composer Tomasz Stańko has more than a forty year history with ECM. Dating back to his 1976 label debut, Balladyna, Stańko sounds to have arrived fully-formed, and in the company of Dave Holland and Finnish percussionist Edward Vesala. Stańko's trademark atmospheric and cerebral style is fully intact ...
Sean Ali: My Tongue Crumbles After
by Karl Ackermann
Improvisational bassist Sean Ali began his musical life as a guitarist, studying sitar and oud along the way. The Ohio native has been in New York City for more than a decade now and performs as a solo bassist, an ensemble player, and a spoken-word artist. He is the founder of The Mudbath Orchestra, a large ...
Eivind Opsvik: Overseas V
by Karl Ackermann
Like his first four Overseas albums, Eivind Opsvik's Overseas V defies conventional descriptions. The New York resident, of Norwegian roots, has developed a peculiar style that marries experimental avant-garde with the folkloric traditions of the North Country. This had been particularly evident on IV when Brandon Seabrook's mandolin and Jacob Sacks' harpsichord meet up with Tony ...
Angles 9: Disappeared Behind the Sun
by Karl Ackermann
The nonet, Angles 9, returns fully intact from their Injuries (Clean Feed, 2014) and with a powerful political and social statement on Disappeared Behind the Sun. The direct correlation between the title and the content is the imprisonment, torture, murder and starvation of innocent victims of world conflicts. Even without the seeming advantage of words, the ...
Harris Eisenstadt: Recent Developments
by Karl Ackermann
Canadian native and Brooklyn resident Harris Eisenstadt has built a solid reputation as a composer, matching accolades for his eclectic expertise as a drummer. His passion as a student of the art has taken him to West Africa, where he has studied the music of the Wolof people and Cuba, where he has delved deeply into ...
Ensemble Pamplemousse: This Is The Uplifting Part
by Karl Ackermann
This Is The Uplifting Part by Ensemble Pamplemousse, is an unusual album not just in content, but also in format. Offered only as a video release, it is available on a limited USB stick (encased in a replication of a cassette) or as a video download. A non-conventional collection, the album incorporates acoustics and electronics, extended ...
The Politics of Dancing: Jazz and Protest, Part 1
by Karl Ackermann
In 1964, Civil Rights workers, known as Freedom Riders, were increasingly becoming the victims of violent attacks from the Ku Klux Klan as they initiated a program to register black voters in the Deep South. As members of the Student Non-Violent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE), the advocates were franticly racing ...
Dana Jessen: Carve
by Karl Ackermann
The bassoon rarely makes an appearance outside of the orchestral setting though it has found a place in jazz recordings dating back to Paul Whiteman and much later with Chick Corea. The instrument is considered one of the most difficult to play but its natural range and dynamics are far-reaching and versatile. Add in electronics and ...
The MUH Trio: The MUH Trio – Prague After Dark
by Karl Ackermann
Dating back to the 1980s, Italian jazz pianist Roberto Magris had been working with jazz luminaries such as Kai Winding and Eddie Lockjaw Davis while also performing extensively with Eastern and Central European artists. Late in that decade he recorded three albums with his quartet/quintet formation on they performed across that same region. In the 1990s ...
Joachim Kühn/Chris Jennings/Eric Schaefer: Beauty & Truth
by Karl Ackermann
German born pianist/composer Joachim Kühn is not without a global following though it's a shame that he is not more widely recognized in the US. Having spent much of his professional life in Paris, he did occupy some time between, residing in California. His musical interests are as broad as the roster of top-tier artists he ...
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