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Results for "Karl Ackermann"
Yarn/Wire Ensemble: Currents 0
by Karl Ackermann
From their roots at Stony Brook University in 2005, the dual percussion/dual piano quartet Yarn/Wire has taken an uncommon approach to experimental music. In the case of Currents 0 the jazz roots are strong even as the interpretations are wide open. A continuing sequence of projects under the umbrella of 'Currents' has generated more than one dozen ...
Sam Newsome: Sopranoville: New Works for the Prepared and Non-Prepared Saxophone
by Karl Ackermann
On his fifth solo soprano album, Sopranoville: New Works for the Prepared and Non-prepared Saxophone, Sam Newsome continues to explore and extend the utility of his instrument. This new release takes yet another new direction for Newsome whose previous solo outing The Straight Horn of Africa: A Path to Liberation/Art of the Soprano, Vol. 2 (Self-produced, ...
Phronesis / Julian Argüelles / Frankfurt Radio Big Band: The Behemoth
by Karl Ackermann
Long regarded as the European piano trio filling a void left by the Esbjörn Svensson Trio, Phronesis has been continually evolving since their debut Organic Warfare (Loop Records, 2007). Their philosophy has been consistent across the past ten years--regarding the root “Americanisms" of jazz as anachronistic rather than required methodology, Phronesis has freed itself to absorb ...
Mats Gustafsson/ Alfred Vogel: Blow + Beat
by Karl Ackermann
Swedish saxophone powerhouse Mats Gustafsson was playing with his trio--The Thing--at the 2016 Beazau Beatz Festival when he hooked up with the excellent, but under-recognized, Austrian drummer Alfred Vogel, who hosts the outing. The resulting Blow + Beat is an extraordinarily challenging musical experiment from two fearless advocates of free thought. The saxophone/drum duo is an ...
John Patitucci: Irmãos De Fé
by Karl Ackermann
Newvelle Records, the New York based, vinyl-only subscription label, was launched by jazz pianist by Elan Mehler and Parisian, Jean-Christophe Morisseau in 2016. With a high-end, boutique collection that has included digitally recorded, 180g pressings for Frank Kimbrough, Noah Preminger and Jack DeJohnette, the label opens its second season with the iconoclastic bassist, and multiple Grammy ...
Atomic: Six Easy Pieces
by Karl Ackermann
Founded in 2000, the Swedish/Norwegian group Atomic has remained true to their uncommon blend of American and European influences over the years. With only one lineup change since their inception, the quintet continues to pay homage--in equal parts--to the post 1960s era in the US, and the inherent innovations of Europe's northern-most region. With Six Easy ...
Nate Wooley: The Complete Syllables Music
by Karl Ackermann
The late Kenneth Gaburo was a noted academic, writer, jazz pianist, electronic music innovator and more. In the 1980s, he headed the Experimental Music Studio at the University of Iowa where he taught that the individual is free to create their own language in terms of their approach to music composition. Gaburo is the inspiration for ...
Tomasz Stańko New York Quartet: December Avenue
by Karl Ackermann
The elder statesman of modern Polish jazz, trumpeter and composer Tomasz Stańko has more than a forty year history with ECM. Dating back to his 1976 label debut, Balladyna, Stańko sounds to have arrived fully-formed, and in the company of Dave Holland and Finnish percussionist Edward Vesala. Stańko's trademark atmospheric and cerebral style is fully intact ...
Sean Ali: My Tongue Crumbles After
by Karl Ackermann
Improvisational bassist Sean Ali began his musical life as a guitarist, studying sitar and oud along the way. The Ohio native has been in New York City for more than a decade now and performs as a solo bassist, an ensemble player, and a spoken-word artist. He is the founder of The Mudbath Orchestra, a large ...
Eivind Opsvik: Overseas V
by Karl Ackermann
Like his first four Overseas albums, Eivind Opsvik's Overseas V defies conventional descriptions. The New York resident, of Norwegian roots, has developed a peculiar style that marries experimental avant-garde with the folkloric traditions of the North Country. This had been particularly evident on IV when Brandon Seabrook's mandolin and Jacob Sacks' harpsichord meet up with Tony ...
