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Results for "Karl Ackermann"
Cory Smythe: Accelerate Every Voice
by Karl Ackermann
Pianist/electronics artist/composer Cory Smythe's Pyroclastic Records debut Circulate Susanna (2018) was a tongue-in-cheek attribution to the inspiration of a fictional event. He returns to the Kris Davis run label with the intriguing, socially-conscious and genre-less Accelerate Every Voice. Inspired by an assortment of sources: Andrew Hill's Lift Every Voice (Blue Note, 1970), the work of Harlem ...
Bohren & der Club of Gore: Patchouli Blue
by Karl Ackermann
Momentum is a relative notion in the dark, doom-jazz world of Bohren & der Club of Gore. In the five years since its last studio album, Piano Nights (Pias Recordings, 2014), it has scaled back to a trio with the departure of long-time drummer Thorsten Benning. The shift from the earlier “doom metal jazz" was more ...
The De Jong/Rebane/Kantonen Trio: Intercities
by Karl Ackermann
Intercities is the debut album from the trio of pianist Jetse de Jong, bassist Robert Rebane and drummer Roope Kantonen. The multi-national group hails from The Netherlands, Estonia, and Finland, respectively. All in their early twenties, the musicians met while attending the Conservatory of Amsterdam. De Jong, who studied both classical piano and jazz, was inspired ...
Daniel Carter / Matthew Shipp / William Parker / Gerald Cleaver: Welcome Adventure! Vol. 1
by Karl Ackermann
When multi-instrumentalist Daniel Carter, bassist William Parker and pianist Matthew Shipp met for an esoteric evening of discussion and music at Tufts University in 2017, the net result was Seraphic Light (AUM Fidelity, 2018). That three-part improvised program was one of the best free improvisation albums of the year. On Welcome Adventure! Vol. 1, the trio ...
Matthew Shipp: The Piano Equation
by Karl Ackermann
Matthew Shipp is like an engineer from another dimension. In three decades of making music, he maintains an inquisitiveness for expanding new dialects and an aptitude for blending composition and exploration. Marking his sixtieth birthday, The Piano Equation reveals the pianist contemplating past experiments if only as a platform for the future; a foundation for yet ...
Roberto Magris: Suite!
by Karl Ackermann
Italian pianist/composer Roberto Magris could not have anticipated the urgent need for a positive message when he recorded Suite! in 2018. The newly released double album reflects Magris' belief that a better world is coming and his certainty is conveyed in a sprawling program of poetry, original compositions, and some surprising covers. He has recorded as ...
Grégoire Maret / Romain Collin / Bill Frisell: Americana
by Karl Ackermann
Harmonica player and composer Grégoire Maret is not a familiar name in the U.S. but he should be. The New York-based artist has recorded with Jimmy Scott, Jacky Terrasson, Steve Coleman and Five Elements, Charlie Hunter, Terri Lyne Carrington, Pat Metheny and many others. The very bankable musician has appeared on over seventy-five releases as a ...
Roscoe Mitchell with Ostravska Banda: Distant Radio Transmission
by Karl Ackermann
Roscoe Mitchell, a co-founder of the AACM and Art Ensemble of Chicago, continues to discover new intersections of jazz, classical and avant-garde music with Distant Radio Transmission. As he approaches eighty years of age Mitchell has waved off time and tradition, reinventing the AEoC brand with the orchestrated--sometimes operatic--We Are on the Edge: A 50th Anniversary ...
Shabaka And The Ancestors: We Are Sent Here by History
by Karl Ackermann
Even as Shabaka Hutchings moves the evolution of jazz forward, We Are Sent Here By History laments the present-day conditions of conflict, suffering, parity, and the struggle to survive. The saxophonist's breakthrough album came with his Sons of Kemet on Your Queen Is A Reptile (Impulse! Records, 2018). He also leads the jazz/electronica hybrid The Comet ...
Jazz in the Time of Pandemic
by Karl Ackermann
The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...
