Results for "Kansas City"

River Cow Cosmic Orchestra

Born: June 1, 2008

River Cow Orchestra takes a Zen approach to creating music. Creating spontaneous music that will never be heard again, anywhere. River Cow Orchestra sets the music free. [email protected]

Alan Voss

Alan Voss performs with groups ranging in size from solo to quintet and beyond.

Shawn Strickland

Herschel McWilliams

Born: October 17, 1978

Herschel McWiliams is a native of Kansas City. Growing up the son of musicians, he was introduced to many musical influences at an early age. He started learning piano at 8 years old and alto saxophone at 10 years old. Herschel has had the instruction of some of the most established musicians and educators in the Kansas City area such as Kerry Strayer, Doug Talley, Wayne Hawkins, Marlin Cooper, and Penny Snead and countless other influences.

Lester Young

Born: August 27, 1909

Lester "Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In the Forties, he grew his hair out. The other tenor players held their saxophones upright in front of them, so Young held his out to the side, kind of like a flute (see picture above). Then, there was the way he played: Hawkins played around harmonic runs. He played flurries of notes and had a HUGE tone that the other tenor players of the day emulated. Young used a softer tone that resulted In a soft, light sound (if you didn't know better, you would think the two were playing different instruments). Young used less notes and slurred notes together, creating more melodic solos. He played the ordinary in an extraordinary way, using a lot of subtleties to produce music that Billie Holiday said flips you out of your seat with surprise.

Mary Lou Williams

Born: May 8, 1910

Imagine a pianist playing concerts with Benny Goodman and Cecil Taylor in successive years (1977-78). That pianist was Mary Lou Williams. In a career which spanned over fifty years Mary was always on the cutting edge.

She was born Mary Scruggs in 1910 Atlanta. Her mother was a single parent who worked as a domestic and played spirituals and ragtime on piano and organ. At age three Mary shocked her by reaching up from her mother's lap to pick out a tune on the keyboard. Rather than hiring a teacher (for fear the child would lose the ability to improvise) Mary's mother invited professional musicians to their home

Charles Williams

Born: August 13, 1955

Charles D. Williams, is a native of Kansas City, Kansas. Mr.Williams has played piano for over 40 years. As a trombonist, he studied under Mr. Leon Brady at Sumner High School and supplemented this training with musical studies under the tutelage of the late Mr.Reginald Buckner. Mr.Williams was a member of the award-winning Sumner Jazz Band that also attended the Paris International Jazz festival in Paris France in 1972, and was auspiciously judged to be “the best High School Band in the World. Mr. Williams also had the pleasure of participating in the Turner House Jazz series in the 70’s – having opportunity to play with such great jazz artist as: Dizzy Gillespie, Max Roach, Roy Ayers, Cannonball and Nat Adderley, Frank Wess, Clark Terry, Ernie Wilkins, Rich Matteson, and many more. Today, Mr

Tim Whitmer

Tim Whitmer is the prodigal son of Kansas City Jazz. He cut his “key” teeth on the likes of Jay McShann, Mary Lou Williams and Count Basie. Under the tutelage of George Salisbury he honed his own unique style and has treated audiences from all over the world to a taste of Kansas City swing jazz. When Whitmer played New York jazz clubs, the Village Voice called him “ the best swing band to come out of Kansas City since Jay McShann.” Whitmer has performed internationally at both the Lugano Jazz Festival in Italy and the Montreaux Jazz Festival in Switzerland and graced the stage of numerous national festivals. Tim Whitmer at Carnegie Hall His classical training is the basis of his broad performance skills and music writing abilities. Tim performs regularly at top jazz venues in Kansas City

Ben Webster

Born: March 27, 1909

Ben Webster was considered one of the "big three" of swing tenors along with Coleman Hawkins (his main influence) and Lester Young. He had a tough, raspy, and brutal tone on stomps (with his own distinctive growls) yet on ballads he would turn into a pussy cat and play with warmth and sentiment. After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young). He had stints with Jap Allen and Blanche Calloway (making his recording debut with the latter) before joining Bennie Moten's Orchestra in time to be one of the stars on a classic session in 1932. Webster spent time with quite a few orchestras in the 1930s (including Andy Kirk, Fletcher Henderson in 1934, Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band). In 1940 (after short stints in 1935 and 1936), Ben Webster became Duke Ellington's first major tenor soloist

Bobby Watson

Born: August 23, 1953

A saxophonist, composer, arranger and educator, Bobby Watson grew up in Kansas City, Kan. He trained formally at the University of Miami, a school with a distinguished and well-respected jazz program. After graduating, he proceeded to earn his "doctorate" – on the bandstand – as musical director of Art Blakey's Jazz Messengers. The group, created in 1955 by late legendary drummer who died in 1990, showcased a rotating cast of players, many who, like Watson, would go on to have substantial careers as bandleaders in their own right. The Jazz Messengers – frequently referred to as the "University of Blakey" – served as the ultimate "postgraduate school" for ambitious young players. After completing a four-year-plus Jazz Messengers tenure (1977-1981) that incorporated more than a dozen recordings – the most of any of the great Jazz Messengers, the gifted Watson became a much-sought after musician, working along the way with a potpourri of notable artists – peers, elder statesmen and colleagues all — including, but not limited to: drummers Max Roach and Louis Hayes, fellow saxophonists George Coleman and a younger Branford Marsalis, celebrated multi-instrumentalist Sam Rivers and trumpeter Wynton Marsalis (who joined the Jazz Messengers at least in part at the suggestion of Watson)