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Jazz in the Time of Pandemic
by Karl Ackermann
The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...
Taylor Ho Bynum 9-tette: The Ambiguity Manifesto
by Giuseppe Segala
All'interno della generazione di musicisti che si sono formati con Anthony Braxton negli anni Novanta, studiando presso di lui alla Wesleyan University e collaborando ai suoi lavori di quel periodo, Taylor Ho Bynum spicca insieme a Mary Halvorson per versatilità dinamica e dovizia progettuale. Bynum, nel periodo in cui ha diretto la Tri-Centric Foundation, dal 2010-2018, ...
Tim Berne's Snakeoil: The Fantastic Mrs. 10
by Mike Jurkovic
Alto saxophonist Tim Berne has never met anything or anyone he doesn't instantly want to re-invent, invert, dismantle and polish into his own image. And no, it's not any kind of savior thing, messianic impulse or Dr. Stranglove fixation. He simply hears and sees things more offbeat, peculiar, and colorful, thank you very much.
Tim Berne's Snakeoil: The Fantastic Mrs. 10
by Dan McClenaghan
Saxophonist Tim Berne figured out what he wanted to do early on, with albums like Ancestors (Soul Note, 1983), Nice Winter ( Winter & Winter, 1993), Science Friction (Screwgun, 2002) and Snake Oil (ECM Records, 2012)—to pick one representative recording per decade from a jam-packed discography. “I'm doing the same thing I've been doing from the ...
Dogon and Friends
by Patrick Burnette
The boys look at three recent releases including a vocal-focused celebration of Canada, a two-hander by composers of children's television soundtracks and a Swedish flutist upset with the political tides of the last few years. After a spirited, if dispiriting, discussion of jazz as “protest music" propers get paid to a pivotal recording of avant-funk-folk jazz ...
Tim Berne's Snakeoil: The Fantastic Mrs. 10
by Mark Corroto
Imagine Tim Berne as the lead in the 1980's' American television series The A-Team, declaring: “I love it when a plan comes together!" He must return to that catchphrase every time his ensemble Snakeoil finishes a recording. After four outings on Manfred Eicher's ECM Records, the previous being Incidentals (2017), he moves his A-Team to Intakt ...
Results for pages tagged "Julius Hemphill"...
Julius Hemphill
Born:
Julius Hemphill - alto and soprano saxophone (1928 - 1995) For over thirty-five years Julius Hemphill earned a reputation as one who broke down boundaries and defied labels. A prodigious composer who wrote luscious and shimmering sonorities with the ever-present tang of the blues, Hemphill was as comfortable writing for full orchestra as he was for his Sextet or Big Band. He composed for theater and multi-media productions and worked with some of this generation’s most acclaimed writers and choreographers who sought his unifying consciousness for collaborative projects. An improviser of immense talent and saxophonist who could coax the best out of any musical unit, Hemphill performed in almost every major jazz festival and hall in North America and Europe, including the Berlin, Montreal, Kool, Rome, Paris, Den Haag (North Sea), and Warsaw festivals. Born in 1938, Julius Hemphill divided his attention between music and sports while growing up in the fertile musical environment of Fort Worth, Texas
Kris Davis: Diatom Ribbons
by Vincenzo Roggero
Dieci il numero di musicisti coinvolti, dieci le composizioni (tutte di Kris Davis tranne “The Very Thing" di Michael Attias e la conclusiva Reflections di Julius Hemphill, dieci il voto che assegniamo senza tentennamenti all'ultimo progetto della pianista/compostrice canadese. Grazie anche al sapiente lavoro di Ron Saint Germain -ingegnere del suono, tra gli altri, di Sonic ...
Mal Waldron: Free At Last
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
Chelsea McBride's Socialist Night School: Aftermath
by Jack Bowers
Aftermath is the second album by composer / arranger / tenor saxophonist Chelsea McBride's Toronto-based Socialist Night School. It's a bright-eyed ensemble, comprised for the most part of young musicians who are fully on board with McBride's contemporary approach to big-band jazz (think Muhal Richard Abrams, Julius Hemphill, Darcy James Argue or Charles Mingus with a ...
