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Luke Malewicz: Green Ruins
by Ben Scholz
Within the creative music world at large, trombone-led projects tend to occupy a niche within a niche. By far the least common among the three typical “jazz" horn types, 'bone players are forced to contend with a mid to low range instrument that does not tune easily and is usually cast in a supporting role within ...
SFJAZZ Releases SFJAZZ Collective: 10
SFJAZZ today released SFJAZZ Collective: 10, celebrating the SFJAZZ Collective’s 10-year musical legacy. 10 was recorded during the SFJAZZ Collective’s four-night residency on the SFJAZZ Center’s Robert N. Miner Auditorium stage in October 2013. The ten tracks are performed by the SFJAZZ Collective’s current lineup: alto saxophonist Miguel Zenon, tenor saxophonist David Sanchez, vibraphonist Warren Wolf, ...
Tommy Igoe: The Tommy Igoe Groove Conspiracy
by Dan Bilawsky
Jazz audiences in the Bay Area are starting to realize what their New York counterparts have known for years--namely, that drummer Tommy Igoe puts together a hell of a band and puts on a hell of a show. Igoe, the man who gave rhythmic life to Broadway's The Lion King and changed the ...
Take Five With Marcin Olak
by AAJ Staff
Meet Marcin Olak: Marcin Olak is one of the most interesting Polish jazz guitar players. He is one of the few who play modern jazz on classical and acoustic guitars, using the specific sound and articulative possibilities of those instruments; sometimes he also plays electric guitar. He moves between various styles: jazz, classical and contemporary, ...
Take Five With Mike Brannon
by AAJ Staff
Meet Mike Brannon: Having been born in Atlanta and then lived in North Carolina growing up, those Southern roots were likely to blame when I started playing blues/rock guitar. But I soon discovered Wes Montgomery, Hank Garland, Joe Pass, Tal Farlow and finally Pat Martino. After attending Jackie King's Guitar Conservatory of the Southwest, where ...
Marius Neset/Trondheim Jazz Orchestra: Lion
by Ian Patterson
Lion is a good name for Marius Neset's first recording with the Trondheim Jazz Orchestra, for like a great cat, the Norwegian orchestra purrs and prowls, roars and pounces. Regardless of tempo--whether cruising or charging--there's majesty in the collective voice. Commissioned for the Molde Jazz Festival in 2012, the momentum from that performance took Neset and ...
Saxophonist Joshua Redman on the issues that face jazz musicians
Tenor saxophonist Joshua Redman has been a star since he burst onto the jazz scene in his early 20s, winning the Thelonious Monk competition in 1991 and launching his prolific recording career in 1993. At 45, he remains a charismatic musician with broad stylistic interests, but with a blues sensibility and a fundamental allegiance to mainstream ...
Joshua Redman: Trios Live
by Mark F. Turner
Upholding the legacy of his namesake, saxophonist Joshua Redman--son of the great Dewey Redman--has continued to develop as a leader in jazz since the 1990's. He's created a name as a consummate artist through rigorous work that's involved a previous directorship of SFJAZZ, constant tours and over a dozen recordings. At times criticized for not emulating ...
Copenhagen Jazz Festival 2014
by Henning Bolte
Copenhagen Jazz Festival Copenhagen July, 8-10, 2014 The ten-day Copenhagen Jazz Festival, with its 1,200 concerts, is maybe the largest of its kind in Europe. This number of concerts is the consequence of a unique concept. The core of the festival, with some international headliners, is a relatively small scale ...
Newport Jazz Festival 2014, Day 2
by Timothy J. O'Keefe
Newport Jazz FestivalFort Adams State Park Newport, RI Saturday, August 2, 2014 From the first crushing strike against the drums, Brian Blade's heavy hand and swirling rolls captivated the audience attending a rainy installment of the Newport Jazz Festival. Blade led his Fellowship Band through “Stoner Hill," a dour, gray ...
