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Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
Electric Squeezebox Orchestra: The Falling Dream
by Jack Bowers
No, the San Francisco-based Electric Squeezebox Orchestra does not come with accordions attached. It does, however, come with a well-developed eye for harmony and rhythm, an inflexible group dynamic and a number of perceptive soloists, all of which serve to make the ensemble's second album, The Falling Dream, a pleasure to hear. The ...
The Three Sounds: Groovin' Hard: Live at the Penthouse 1964-1968
by Chris M. Slawecki
In the five years spanning 1958 to '62, not only a time of great consolidation and experimentation in jazz but a glorious age for the label, who would you guess was Blue Note Records' best-selling act? Thanks to their nine albums and nearly two dozen more jukebox singles, it was The Three Sounds. Led ...
Groovin’ Hard In Every Style
by Chris M. Slawecki
Big Mean Sound Machine Runnin' for the Ghost Peace & Rhythm | Blank Slate Records 2017 On Runnin' for the Ghost, Big Mean Sound Machine sounds intent on obliterating every imaginable musical border: the lines between regional or geographic styles, the divide between acoustic and electronic instruments, the ...
American-British vocalist Allen Austin-Bishop debut album "Sorry Grateful" Available Now!
Vocalist Allen Austin-Bishop's Sorry Grateful is an album comprised of jazz standards ranging from Errol Garner’s “Misty” and Johnny Mandel’s “The Shadow of Your Smile”, to Victor Young’s “When I Fall in Love” and Bart Howard’s “Fly Me to the Moon." Allen Austin-Bishop was born in Newark, New Jersey (USA) but is currently based in London. ...
David Finck: The Bass, Scatting Offenses, and the Back Hoe
by Dr. Judith Schlesinger
David Finck is not only a first-call bassist with a long resume of high-profile recordings and gigs, but he's one of the most versatile musicians on any instrument. Finck has been in the studio, touring, and/or sharing the world's greatest stages with everyone from Andre Previn to Ivan Lins, Woody Herman to Natalie Cole and Kenny ...
Steve Khan: Backlog
by Mark Sullivan
Latin jazz has rarely featured the guitar, but that hasn't stopped Steve Khan. Backlog continues in the vein of previous albums including Parting Shot (Tone Center, 2011) and Subtext (Tone Center, 2014): creative Latin arrangements of Great American Songbook standards and modern jazz tunes that are rarely played in Latin style (or in any style, in ...
Steve Khan: Backlog
by Mark F. Turner
Steve Khan's love affair with Latin music germinated in the 1980's with his stellar Eyewitness recordings and continued to develop in a number of releases including 2011's Parting Shot and 2014's Subtext both on Tone Center Records. Backlog is third in this series and represents some of the esteemed jazz guitarist's finest work to date.
Dave Stryker: Eight Track II
by Jack Bowers
Eight Track II, Dave Stryker's twenty-seventh album as a leader, could be subtitled “Stryker Strikes Again," as it is a pleasing sequel to 2014's well-received Eight Track, on which the guitarist's working trio and guest vibraphonist Stefon Harris revisited pop songs from the '70s and rearranged them in a hip new groove. Eight Track II offers ...
