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More Than 3 Tenors
by H William Stine
They were superstars on their own, iconic names who didn't need first names: Carreras, Domingo, Pavarotti. The world loved them; and they loved the world -sometimes a little too literary. When they agreed to sing together, they went from superstars to superheroes: The Three Tenors. Three? Really? That's all it takes to be adored? I can ...
Disinformation Week
by H William Stine
Disinformation. It's a word we're hearing frequently these days. Some people call Disinformation propaganda; some people with a straight face call it alternative facts. I call it pernicious lies. So I spent two hours defining and explicating Disinformation; and, most importantly, telling people how to protect themselves from it. JUST KIDDING! You know me. Instead, I ...
Hanksgiving: A Tribute to Hank Jones, Part 2
by Ludovico Granvassu
This year our seasonal Hanksgiving episode celebrates a musician of sumptuous elegance and sophisticated narrative and harmonic feel like pianist Hank Jones. As usual, we play a mix of albums that feature him as a leader, co-leader or sideman and renditions of his work by other musicians. Happy listening. PlaylistBen Allison “Mondo ...
Lotsa Luck
by H William Stine
Good luck, best of luck, lucky day, lucky duck, lucky dog, lucky devil, all the luck, with a little bit of luck, lucky charm, beginners luck, just my luck--are you seeing a pattern here? I saw a musical theme. Lots of “Lucky" song titles and song lyrics, plus a reminder or two that not all luck ...
Will Power Versus Won't Power
by H William Stine
What does it take to lose weight? Willpower. Stop biting your nails? Willpower. What does it take to stop watching America's Got Talent? Half a brain—but that's a different issue. Getting back on topic: what does it take to give up smoking? Again, Willpower. So let me get this straight: Willpower is forcing yourself not to ...
Archie Shepp & Jason Moran: Let My People Go
by Mark Corroto
Now an octogenarian, Archie Shepp's name is quite often spoken in the same sentence as that of John Coltrane. Shepp was born a decade after Trane and is associated with the great one's 'New Thing' and 'Fire Music.' His music though, post-Ascension (Impulse!, 1965), might be better equated to that of Billie Holiday, who was born, ...
Japanese Iconoclasts - Part 1
by Ludovico Granvassu
In addition to offering a safe haven and an enthusiastic audience for international jazz players, Japan has a vibrant local scene which features musicians that approach jazz without necessarily being encumbered by its tradition, and infuse it with their own cultural traditions and generally post-modern attitude. So let's dive into the fun and varied ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Results for pages tagged "Johnny Hartman"...
Johnny Hartman
Born:
John Maurice Hartman was a critically acclaimed baritone jazz singer who specialized in ballads. Born in Louisiana but raised in Chicago, he began singing and playing the piano by age eight. In 1940, Hartman graduated from DuSable High School where he studied music under Walter Dyett before receiving a scholarship to Chicago Musical College. He sang as an Army private during WWII but his first professional work came in September 1946 when he won a singing contest awarding him a one-week engagement with Earl Hines at Chicago's El Grotto nightclub. Seeing potential in the singer, Hines hired him for the next year
John Coltrane: The Final Act (1961-1967)
by Russell Perry
John Coltrane is undoubtedly one of the most influential players in the history of jazz, yet his important work fits within a brief twelve-year period (1955--1967). Previously in this series we have covered his work in the 1950s with Miles Davis for Prestige and Columbia, his blowing sessions on Prestige, his solo work with Blue Note ...
