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17

Article: Multiple Reviews

The Blue Notes: Refugees From Race Hate

Read "The Blue Notes: Refugees From Race Hate" reviewed by Chris May

by Chris May

In late May 2022, three months into the war in Ukraine, the plight of refugees is at the front of our minds. Around five million Ukrainians have become refugees and another seven million are displaced persons inside their own country. The apartheid-era South African refugee crisis was not on this scale. The number of internally displaced ...

5

Article: Radio & Podcasts

Welcome To Adventure

Read "Welcome To Adventure" reviewed by Maurice Hogue

by Maurice Hogue

There are indeed some adventuresome artists in this edition of One Man's Jazz, although I pilfered the title for the show from the title of the Welcome To Adventure Vol. 2 by Daniel Carter, Matthew Shipp, William Parker & Gérald Cleaver. So far, their first volume has been the best-selling album in the history of 577 ...

9

Article: Multiple Reviews

Township Jazz: A Riot Busting Out

Read "Township Jazz: A Riot Busting Out" reviewed by Chris May

by Chris May

Dateline: April 2022. This month the American label Blue Note is launching its Blue Note Africa imprint with South African pianist Nduduzo Makhathini's single “Senze' Nina." It is fittingly synchronous that at the same moment, Britain's Ogun label is reissuing two albums by South Africa's Blue Notes, the band which introduced township jazz to Europe and ...

10

Article: Multiple Reviews

Township Jazz: Unlocking The Vaults

Read "Township Jazz: Unlocking The Vaults" reviewed by Chris May

by Chris May

Britain is often said to be the first country to have forged a style of jazz distinct from its American parent, during the late 1950s, in part through the influence of London-based players from South Asia. Closer examination of calendars and the historical record, however, shows that South Africa found its own jazz voice at the ...

1

Article: Album Review

Frode Gjerstad / Kent Carter / John Stevens: Detail - 90

Read "Detail - 90" reviewed by John Eyles

by John Eyles

The group Detail first played together in December 1981. After a short period when the Norwegian pianist Eiven One Pederson was a member, it stabilised as a trio comprising Norwegian saxophonist Frode Gjerstad, South African bassist (and one-time Blue Note artist) Johnny Dyani, and British drummer John Stevens; these three recorded the group's first album, Backwards ...

9

Article: Album Review

Various Artists: Indaba Is

Read "Indaba Is" reviewed by Chris May

by Chris May

There are probably several reasons why American jazz made the deep and lasting impact it did on South Africa in the 1950s. One may be that the colonial regime which was imposed on the country during Europe's pan-African nineteenth-century landgrab was among the most vicious of them all, and persisted the longest through the apartheid system ...

8

Article: Radio & Podcasts

Jazz From South Africa - Hugh Masakela, Abdullah Ibrahim, Johnny Dyani (1960 - 1978)

Read "Jazz From South Africa - Hugh Masakela, Abdullah Ibrahim, Johnny Dyani (1960 - 1978)" reviewed by Russell Perry

by Russell Perry

The brutal repression of the subversive mixed-race jazz subculture in South Africa led to the emigration of several important musicians whose work in the United States and Europe helped focus the world's attention on the apartheid regime in the 1960s and 1970's. Prominent among the emigres are pianist Abdullah Ibrahim, who originally recorded as Dollar Brand, ...


About Johnny Dyani

Results for pages tagged "Johnny Dyani"...

Musician

Johnny Dyani

Born:

4

Article: Album Review

Bobby Bradford / Frode Gjerstad / Kent Carter / John Stevens: Blue Cat

Read "Blue Cat" reviewed by John Sharpe

by John Sharpe

Following on from Day Two (2019), the Lithuanian NoBusiness imprint issues another archive tape by Detail, the collective founded by Norwegian reedman Frode Gjerstad and English drummer John Stevens. By 1991 when this live set was captured, original bassist Johnny Dyani had died and had been replaced by expatriate American Kent Carter. Also on the album ...

21

Article: Live Review

Vilnius Jazz 2019

Read "Vilnius Jazz 2019" reviewed by Ian Patterson

by Ian Patterson

Vilnius Jazz 2019 Russian Drama Theatre Vilnius, Lithuania October 16-20, 2019 Is a jazz festival primarily about entertainment, or is it meant to challenge the expectations of its audience? Does programming risk mean financial suicide? What responsibility does a festival have to promote young, emerging talent? What place do women ...


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