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John Swana
John Swana is one of the most exciting trumpeters to arrive for a decade," declares Mark Gardner, co-author of Blackwell's Guide to Recorded Jazz.
Born in Norristown, Pennsylvania, a suburb of Philadelphia, Swana took up Trumpet at the age of 11. He was drawn to jazz at the age of 17 after hearing Dizzy Gillespie, and the interest developed into a passion while he was in college. There he began transcribing the solos of Freddie Hubbard, Clifford Brown, Miles Davis, and Tom Harrell.
Swana has performed and toured with the Mingus Big Band. He has also played with well known jazz names such as Don Patterson, Shirley Scott, Mickey Roker, Stanley Turrentine, Harold Mabern, Cecil Payne, Johnny Coles, Ralph Peterson, Charles Fambrough, Bobby Watson, Trudy Pitts, Bootsie Barnes, Craig Handy, Chris Potter, Stephen Scott, Tim Warfield, Eric Alexander, Sam Newsome, Brad Mehldau,Vincent Herring, Uri Caine, Tim Armacost, Peter Leitch, Peter Bernstein, Ravi Coltrane, Ralph Bowen, Terrel Stafford, Seamus Blake, and Robin Eubanks
Embraceable Brazil
By Tom Cohen
Label: Versa Records
Released: 2025
Track listing: Eu So Quero Um Xodo; You're So Vain; Francisca; The Girl from Ipanema; Tarde; Bye Bye Brasil; Brigas Nunca Mais; Look to the Sky; Adeus America; Aquelas Coisas Todas; Cafe Com Pao; Joyous Lake; Bebe (live)
Minas - 40th Anniversary Concert, Cake, and Dance Party in Philadelphia on April 11
Orlando and Patricia Haddad invite the public for a concert, cake, and dance party, celebrating 40 impressive years making music in Philadelphia. Known for their Brazilian ensemble Minas, Orlando and Patricia moved to the Philadelphia area from Rio de Janeiro in 1984, where they continued to perform and record while pursuing graduate studies at local universities. ...
Ralph Bowen: Five
by C. Andrew Hovan
Although he's better known in educational circles due to his solid commitment to jazz pedagogy as a member of the faculty at Rutgers University, Ralph Bowen has been a vital member of the jazz community since debuting with the group Out of the Blue back in the mid '80s. His adaptability to a diversity of musical ...
Joel Weiskopf: New Beginning
by C. Andrew Hovan
For better or worse, it seems that any artistic endeavor that involves the true expression of raw human experience and emotion is destined to have appeal to only a small and select audience. This dilemma becomes even more daunting for the artist in today's technology-laden society where electronic communication has taken the place of face-to-face conversation. ...
Tim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of ...
John Swana: Philly Gumbo Vol.2
by C. Andrew Hovan
It seems like a lot of up and coming trumpeters these days go for the bop stylings of Freddie Hubbard and Woody Shaw as their main influence. Far fewer look to players like Art Farmer or Kenny Wheeler for inspiration. That's what has made watching the development of Philadelphia trumpet man John Swana so fascinating over ...
John Swana: Philly Gumbo
by C. Andrew Hovan
It seems like a case of the big fish swimming in a small pond. So while Philadelphia native John Swana currently chooses to make his home in the city of Brotherly Love, it's clearly evident that this world-class musician could succeed easily in the Big Apple, the undisputed center of jazz activity in America. Taking up ...
One For All: Live at Smoke Vol.1
by C. Andrew Hovan
Aside from the musical fireworks that make the enclosed sides noteworthy, there are additional factors that mark Live at Smoke as a major event. For one thing, this “on location" recording is one of the rare live dates to grace the Criss Cross catalog. Furthermore, it serves as a perfect summation up to this point of ...
Joe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let ...
