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4

Article: Album Review

Barry Guy: The Blue Shroud

Read "The Blue Shroud" reviewed by John Sharpe

by John Sharpe

In some ways, The Blue Shroud might be Barry Guy's signature work. It's the first to unite his varied interests in Baroque music, composition, jazz and improv at an orchestral scale. To do so Guy assembles a 14-strong crack unit capable of interpreting each aspect to the highest level, including several early music specialists who are ...

5

Article: Album Review

Bobby Bradford/Hafez Modirzadeh/Mark Dresser/Alex Cline: Live At The Open Gate

Read "Live At The Open Gate" reviewed by John Sharpe

by John Sharpe

Veteran cornetist Bobby Bradford's penchant for conversational give and take in tandem with another horn is much in evidence on this 2013 live date from The Center for the Arts in Los Angeles. And in alto saxophonist Hafez Modirzadeh, a Professor of Creative/World Music at San Francisco State University, he has found a foil who at ...

3

Article: Album Review

Peter Brötzmann / Heather Leigh: Ears Are Filled With Wonder

Read "Ears Are Filled With Wonder" reviewed by John Sharpe

by John Sharpe

Iconoclastic German reedman Peter Brötzmann has appeared in almost every conceivable combination and circumstance over the years, from the maelstrom of Last Exit to the austere horn choir of Sonore, via hook ups with almost everyone in between, counting such free jazz luminaries as Cecil Taylor, Anthony Braxton and Evan Parker. However on Ears Are Filled ...

3

Article: Album Review

Joëlle Léandre - Urs Leimgruber - Fred Frith - Alvin Curran: Oakland/Lisboa

Read "Oakland/Lisboa" reviewed by John Sharpe

by John Sharpe

Under the moniker MMM Quartet a crew from diverse points of the compass assembled for a concert at the 2014 Jazz Em Agosto in Lisboa (Lisbon, Portugal). Three of the four principals have associations with Mills College in Oakland (the MMM acronym improbably stands for Mills Music Mafia), while the Swiss saxophonist Urs Leimgruber is the ...

6

Article: Album Review

RED Trio & John Butcher: Summer Skyshift

Read "Summer Skyshift" reviewed by John Sharpe

by John Sharpe

It was the release of Empire (No Business, 2011) that constituted the point at which many people first began to pay attention to the Portuguese Red Trio. That collaboration with English saxophonist John Butcher featured on several year end lists. It paved the way for a series of further alliances, documented on disc with trumpeter Nate ...

3

Article: Album Review

Aaron Bennett / Darren Johnston / Lisa Mezzacappa / Frank Rosaly: Shipwreck 4

Read "Shipwreck 4" reviewed by John Sharpe

by John Sharpe

Named after the Oakland studio where the disc was recorded, the Shipwreck 4 brings together three West Coast improvisers with Chicago drummer Frank Rosaly for a program of six collectively created selections. As apparent on Everybody's Somebody's Nobody (Clean Feed, 2016), his duet with guitarist Fred Frith, trumpeter Darren Johnston's work maintains a melodic core, albeit ...

5

Article: Album Review

Yoni Kretzmer: Five

Read "Five" reviewed by John Sharpe

by John Sharpe

NYC-based Israeli saxophonist Yoni Kretzmer has pulled together a dynamite cast for the debut of his quintet. Kretzmer's thoughtfully arranged compositions engender classic small group free jazz by what comes across as a little big band. It's the sort of session you might have found on the Black Saint label in its heyday, but given a ...

3

Article: Album Review

Jason Roebke Octet: Cinema Spiral

Read "Cinema Spiral" reviewed by John Sharpe

by John Sharpe

Bassists leading mid-size bands inevitably bring to mind the trail-blazing precedent established by Charles Mingus. Others like Dave Holland, Barry Guy and Adam Lane followed. To that roster can be added bassist Jason Roebke, one of the stalwarts of the productive Chicago scene. Cinema Spiral constitutes the sophomore effort by his Octet, following on from High/Red/Center ...

2

Article: Album Review

Julie Kjaer 3: Dobbeltgaenger

Read "Dobbeltgaenger" reviewed by John Sharpe

by John Sharpe

An increasingly visible presence on the London scene, Danish saxophonist Julie Kjaer's latest move can only accelerate that prominence. For her third outing as leader she has enlisted the support of two of Europe's most accomplished improvisers in bassist John Edwards and drummer Steve Noble, who can also be heard fuelling the likes of Peter Brötzmann ...

7

Article: Album Review

Peter Kuhn: No Coming, No Going – The Music of Peter Kuhn 1978-1979

Read "No Coming, No Going – The Music of Peter Kuhn 1978-1979" reviewed by John Sharpe

by John Sharpe

In No Coming No Going, the Lithuanian NoBusiness imprint has unearthed a real gem, as part of its continuing exhumation of the New York 1970s loft scene. Reedman Peter Kuhn was a minor presence during the latter half of the decade, releasing three discs under his own leadership, and appearing on dates by Frank Lowe and ...


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