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Ken Vandermark / Nate Wooley / Sylvie Courvoisier / Tom Rainey: Noise Of Our Time
by John Sharpe
This summit of talent actually delivers what the title promises. The quartet creates an all-encompassing portrait of the state of the art, in which what might be thought noise is adroitly recontextualized in a musical situation. In a way that's what the members have been doing throughout their illustrious careers. Given their daunting skills as improvisers, ...
Dave Rempis: Icoci
by John Sharpe
In avant jazz, as in other artistic endeavors, talent alone isn't enough. Success requires a large slice of luck too. Chicago-based reedman Dave Rempis knows that as well as anyone. As a consequence he works hard at making his own luck: he concentrates on running a string of regular outfits; assembles a network of supportive venues; ...
Fish-scale Sunrise: No Queen Rises
by John Sharpe
Dutch reedman Ab Baars goes out of his way to avoid sentiment in his playing. He plots courses that veer willfully from melodic to shrill, but always remains in control. The most striking aspect of Fish-scale Sunrise, named after a poem by Wallace Stevens, is how much this approach to improvising is reflected in his composing ...
Bobby Naughton / Leo Smith / Perry Robinson: The Haunt
by John Sharpe
The Lithuanian NoBusiness imprint continues its forensic examination of American 1970s free jazz with the welcome reissue of vibraphonist Bobby Naughton's The Haunt. It's one of his few leadership dates, and originally released on his own Otic label. At the time Naughton was a fixture with trumpeter Wadada Leo Smith's outfits, gracing albums such as Divine ...
Peter Evans / Barry Guy: Syllogistic Moments
by John Sharpe
From the first few seconds of the opening “Red Green" onwards, this live recording from trumpeter Peter Evans and bassist Barry Guy is a feat of death defying bravura. The two are among the most utterly distinctive practitioners on their instruments and they create a fast evolving kaleidoscope of preposterous sounds. Evans named his record label ...
Benoit Delbecq 4: Spots On Stripes
by John Sharpe
In the animal kingdom both spots and stripes contribute to the camouflage which keeps the wearer hidden from either potential predators or prey. There's something similarly disorientating about this enigmatic album from French pianist Benoit Delbecq. Renowned as someone who has taken John Cage's idea of prepared piano into the jazz sphere, Delbecq has studied with ...
John Sharpe's Best Releases Of 2018
by John Sharpe
Here are 12 new releases which stood out among the 200 or so discs that I heard this year, in no particular order. It's worth noting that Japanese pianist Satoko Fujii set herself the challenge to release a CD every month during 2018, to mark the milestone of her 60th birthday. Her output has been so ...
Anker / Thomas / Flaten / Solberg: His Flight's At Ten
by John Sharpe
Perhaps the title refers to British pianist Pat Thomas' travel schedule. If so it will be a situation that he is all too familiar with, as strangely his reputation appears greater in Europe than at home, in spite of an extensive discography and collaborations with a who's who of contemporary experimental music. His Flight's ...
Alexander von Schlippenbach / Aki Takase: Live At Cafe Amores
by John Sharpe
The Lithuanian NoBusiness imprint has unearthed another gem from the vaults of the Japanese Chap Chap label. Live At Cafe Amores represents the third duet recording from the husband-and-wife pairing of pianists Alexander von Schlippenbach and Aki Takase, but the first where they share the same instrument. Such a situation was perhaps only possible for an ...
Jemeel Moondoc Quartet: The Astral Revelations
by John Sharpe
On The Astral Revelations alto saxophonist Jemeel Moondoc breathes new vitality into the legacy of the loft jazz era where he first made his name. It's a reputation most forcefully burnished in retrospect by the sumptuous box set Muntu Recordings (No Business, 2010), which showcases Moondoc alongside such future luminaries as bassist William Parker and the ...
