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About Jon Ostrom
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Jon Ostrom
Born:
Portland’s Jon Ostrom is a talented and accomplished guitarist and songwriter playing jazz, funk, rock and bluegrass in various groups throughout his career. The imagery created by his guitar playing combined with his songwriting showcase his ability to create landscapes for deep grooves and improvisation. Jon started his music career in Walleye, a power trio focused on songwriting without any barriers or limits. Walleye was fortunate to open for such bands as Vince Herman, Rubberneck, Jive Talkin Robots, Five Fingers of Funk and many more. Jon then created the Louden Mellow Project to continue with songwriting and focus on jazz and funk
Mural: Shishi's Wish
by Angelo Leonardi
Prende il nome dal suo disco d'esordio, questo trio nippo-tedesco-cileno nato a New York nel 2015. Giunto al secondo album, Mural conferma la prospettiva trasversale, spaziando da momenti di marcata concitazione elettrica --una sorta di fusion rivisitata evidente in «Giacomo!» e in «Geronimo» --ad altri acusticamente riflessivi, venati di atmosfere folk. I tratti costanti ...
Follow the Leader!
by Ludovico Granvassu
This episode features tracks from two influential band leaders--John Lurie and Miles Davis--and the talented musicians who played in their respective bands. Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 The Lounge Lizards “The Yak" from Queen of All Ears on (Strange & Beautiful Music) 0:16 Host talk 5:55 ...
Adam Rogers' Dice Trio at Hong Kong Arts Center
by Rob Garratt
Adam Rogers' Dice Trio Shouson Theatre, Hong Kong Arts Center Jazz World Live Series Hong Kong SAR May 28, 2018 As the scraggly haze of copiously denim-clad, baseball cap and ponytail-touting figures assembled onstage, Adam Rogers' Dice Trio bore the indifferent appearance of a small town bar band--which was not ...
Mike Gibbs Band: Symphony Hall, Birmingham, 1991...Playing The Music Of Mike Gibbs And John Scofield.
by Roger Farbey
This kind of album only appears once in a blue moon and is a near-perfect recording of a concert, in mixing desk quality stereo, that took place at Birmingham's Symphony Hall on Friday 18 October 1991. It boasted a starry line-up of British and American virtuosos including Kenny Wheeler, John Taylor and Tony Coe from the ...
Craig Brann: Lineage
by Mark Corroto
The cream always rises to the top. That might sound like a trite statement (and one definitely not applicable to pop music), but is one that consistently holds true in jazz. So it follows that guitarist Craig Brann, in a discipline in which one cannot fake it to make it, would then be the crème de ...
Mike Clark & Delbert Bump: Retro Report
by Kevin Press
Go ahead. Judge this album by its cover. That 1970-something Ford grill tells you everything you need to know. It's big, funky and stamped Made In USA. These 11 cuts are Hammond-organ groovy. Which is to say Delbert Bump groovy. And the only thing better than a Bump groove is one paired with former ...
StLJN Saturday Video Showcase: Spotlight on the John Scofield Joe Lovano Quartet
Today, StLJN's video spotlight shines on the John Scofield Joe Lovano Quartet, who will be in St. Louis to perform starting next Wednesday, April 25 through Saturday, April 28 at Jazz at the Bistro. In terms of both popularity and musical accomplishments, both Scofield and Lovano rank in the upper echelon of current jazz players on ...
Jazz House Kids: The House that Jazz Built
by Bob Kenselaar
When we think of jazz education, we might first think about what's developed at the college level and at music conservatories over the last fifty years or so, and then maybe consider how jazz instruction and jazz bands have flourished at the high school and middle school levels a little more recently. But beyond these settings, ...
Pablo Held Trio: Investigations
by Roger Farbey
The complex title perfectly characterises Pablo Held's compositional approach. Here he utilises light and shade to mix swathes of tranquillity with petulant stabbing phrases accompanied by equally sharp drum retorts. However, and this is crucial, the piece flows together seamlessly. The lissome nature of “Dr Freeds" betrays an influence of Bill Evans but the ...
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