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Krakauer's Ancestral Groove: Checkpoint
by Chris M. Slawecki
Clarinet master David Krakauer was born in raised in New York City. As he spread his considerable chops throughout NYC's classical, electronica and jazz scenes, he became known as a Klezmer specialist but just as often appeared as a soloist or member of various symphony orchestras, string quartets and chamber ensembles alongside a head-shaking variety of ...
Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo
by Chris M. Slawecki
Brian Andres & the Afro-Cuban Jazz Cartel This Could Be That Self-Produced 2016 This Could Be That celebrates the first decade of Brian Andres & his Afro-Cuban Jazz Cartel, which came together in 2007 in and around the San Francisco Bay Area's Latin jazz hothouse. Music is ...
Festival International de Musique Actuelle de Victoriaville 2016, Part 2
by Mike Chamberlain
Festival International de Musique Actuelle de Victoriaville Various Venues Victoriaville, Quebec May 21-22, 2016 Part 1 | Part 2 Following a memorable--in a good way--first two days of FIMAV, Saturday's program promised more highlights, anchored by three consecutive sets of musicians performing John Zorn's Bagatelles at ...
Krakauer's Ancestral Groove: Checkpoint
by Dan Bilawsky
Clarinetist David Krakauer has been exploring his Eastern European Jewish background through music for the past quarter century. He's managed to touch on his roots in varied ways during that time, tapping into Jewish history with some help from the Kronos Quartet on The Dreams And Prayers Of Isaac The Blind (Nonesuch, 1997), finding common ground ...
In Paris: The ORTF Recordings
by Maurizio Comandini
Ogni tanto gli archivi sparsi nel nostro pianeta si aprono per regalare belle e rare emozioni agli attenti cittadini del mondo della musica. Non è cosa così semplice come potrebbe apparire superficialmente: per trovare questi tesori nascosti serve anche l'energia di un gruppo di persone che si appassiona e si mette a caccia delle cose nascoste ...
Various Artists: The Boston Creative Jazz Scene 1970-1983
by Dave Wayne
Though New York City remains first and foremost in everyone's mind as the “Jazz Capital of the World," aficionados know that many other cities in the US and abroad support significant and artistically important jazz communities. Boston looms large among the most important jazz cities, worldwide. The birthplace of Harry Carney, Roy Haynes, George Russell, Sonny ...
Take Five with Rob Saffer of the Creative Music Foundation
by AAJ Staff
In this installment of Take Five we hear from Executive Director Rob Saffer of the Creative Music Foundation, an organization founded in 1971 by Karl Berger, Ingrid Sertso and Ornette Coleman. CMS has brought together leading innovators in the jazz and world music communities through their CMS workshops. About the Creative Music Studio Fall ...
"Cheerin' Up The Universe," New CD By Trumpeter/Vocalist Bob Merrill, Due For Sept. 4 Release By Accurate Records
Trumpeter/vocalist Bob Merrill has had an amazingly varied career in and around music—mentored by his late father-in-law Joe Bushkin, Jaki Byard, and Red Rodney; starting and operating Hip Pocket Recording Studios in New York City; and recording as a leader himself. Cheerin’ Up the Universe, his new CD and fourth to date, is being released September ...
Creative Music Studio Announces Fall Workshop, October 5-9, 2015
Composer/multi-instrumentalist and Creative Music Studio alumnus Peter Apfelbaum, master percussionist/educator Billy Martin, and composer/saxophonist Rudresh Mahanthappa will join CMS Artistic Directors/Co-Founders Karl Berger and Ingrid Sertso as Guiding Artists for the Creative Music Studio Fall 2015 Workshop Intensive, October 5-9, at the ear-inspiring Full Moon Resort in Big Indian, NY. CMS’s Fall 2015 Workshop features a ...
Jimmy Smith: Master of the Hammond B-3
by Mark Sabbatini
Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...
