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Article: Album Review

John Surman: Morning Glory

Read "Morning Glory" reviewed by Roger Farbey


This is the first John Surman-authorised reissue of his seminal album released on the Island Records label in 1973 (ILPS9237) that acted as a signal delineation between what preceded it (a relatively conventional approach with an emphasis on blistering baritone saxophone outings) and what was to follow (the far more pastoral ECM years, albeit with the ...

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Article: Album Review

Ben Crosland Quintet: The Ray Davies Songbook

Read "The Ray Davies Songbook" reviewed by Roger Farbey


Given the number of hit songs Ray Davies has written over his years fronting The Kinks, it's astonishing that nothing like this CD has ever seen the light of a laser. There have been a myriad of Beatles tunes set to jazzy interpretations plus jazz covers of the music of other 1960s rock stars including Jimi ...

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Article: Album Review

Larry Coryell: Heavy Feel

Read "Heavy Feel" reviewed by Doug Collette


Only the most most skilled and confident musicians can record a sterling album in two days but if anyone qualifies for inclusion in that category, it's Larry Coryell. A veteran of no small renown, albeit somewhat under the radar compared to peers like John McLaughlin, the former leader of the Eleventh House radiates the surety of ...

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Article: Multiple Reviews

Carla Bley & Jack DeJohnette: ECM Trios

Read "Carla Bley & Jack DeJohnette: ECM Trios" reviewed by Mark Sullivan


Two different approaches to the trio, led by veteran ECM bandleaders. Big band composer/pianist Carla Bley continues her recent run of chamber ensemble recordings, reconvening her trio with saxophonist Andy Sheppard and bassist Steve Swallow, most recently heard on Trios (ECM, 2013). The grouping gives much more focus on her piano playing than her large group ...

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Article: Album Review

Carla Bley/Andy Sheppard/Steve Swallow: Andando el Tiempo

Read "Andando el Tiempo" reviewed by Karl Ackermann


There are few figures in modern music that are truly more iconic than Carla Bley. Her list of accomplishments are impossible to chronicle in this limited space, but suffice to say that her influence traverses genres, styles and generations, in a way that perhaps no other artist has approached. Her early crowning jewel—the jazz opera Escalator ...

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Article: Extended Analysis

Sanguine Hum: What We Ask Is Where We Begin - The Songs for Days Sessions

Read "Sanguine Hum: What We Ask Is Where We Begin - The Songs for Days Sessions" reviewed by John Kelman


Few groups in the history of music can be credited with having come up with something as wonderfully absurd (yet, somehow, totally making sense) as Sanguine Hum. On its last album, the two-CD concept album Now We Have Light (Esoteric Antenna, 2014), the group told the story of a Dystopian future where our hero, Don (just ...

Article: Extended Analysis

In Paris: The ORTF Recordings

Read "In Paris: The ORTF Recordings" reviewed by Maurizio Comandini


Ogni tanto gli archivi sparsi nel nostro pianeta si aprono per regalare belle e rare emozioni agli attenti cittadini del mondo della musica. Non è cosa così semplice come potrebbe apparire superficialmente: per trovare questi tesori nascosti serve anche l'energia di un gruppo di persone che si appassiona e si mette a caccia delle cose nascoste ...

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Article: Album Review

Larry Young: In Paris: The ORTF Recordings

Read "In Paris: The ORTF Recordings" reviewed by Mark Corroto


You may know organist Larry Young from his work in The Tony Williams Lifetime band (with John McLaughlin) and later with Jimi Hendrix, and Carlos Santana or you may just be hip to his Blue Note 1960's years. Nonetheless, you would certainly be surprised to learn that he lived to be just 38 years old, passing ...

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Article: Album Review

Didier Verna @-quartet: Roots And Leaves

Read "Roots And Leaves" reviewed by Edward Blanco


French guitarist and composer Didier Verna delivers his second album as leader with the very audacious Roots and Leaves containing eleven original compositions ranging from contemporary traditional to funky, bluesy and even folky at times. A classically-trained pianist who at age eleven moved to the guitar as his preferred instrument, employs the fretless and three other ...

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Article: Album Review

Ronan Guilfoyle: Hands

Read "Hands" reviewed by Ian Patterson


In a thirty-year career as a leader, Irish bassist Ronan Guilfoyle has built an international reputation as a rhythmically advanced musician and a sophisticated, challenging composer. From indo-jazz suites to contemporary classical music (composed and improvised) and from extended works inspired by the writings of Samuel Beckett and James Joyce to suites for jazz guitar trio ...


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