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Sweet Billy Pilgrim: Crown and Treaty
by John Kelman
Sweet Billy Pilgrim Crown and Treaty Luxor Purchase 2012 Leaping onto the scene overnight might appear to have its advantages, but there are plenty of disadvantages, too. Building an audience incrementally, over a period of time, often allows an artist to evolve without the same degree of mass expectation that comes ...
Unity Band
by John Kelman
In a time when compressed music is the norm—often removing the details an artist has worked so hard to capture in recording—it's great to have someone like guitarist Pat Metheny still paying attention to the very minutiae that can make a very, very good record great. Unity Band would be a very, very good record under ...
Year of the Snake
by John Kelman
When a group of musicians works together more often in extracurricular configurations with other leaders, what do they do when they come together for their own project? In the case of saxophonist Mark Turner, bassist Larry Grenadier and drummer Jeff Ballard-- who, individually and collectively, have worked with everyone from pianist Brad Mehldau and guitarist Kurt ...
Trondheim Jazz Festival: May 9-13, 2012
by John Kelman
Trondheim Jazz FestivalTrondheim, NorwayMay 9-13, 2012 Being Norway's third largest city, next to Oslo and Bergen, means something completely different to being the third largest city in Canada or the United States. With more than 25,000 students in a city of approximately 160,000 people, it's not unlike (albeit a little larger than) ...
Indaba Music Women's Music Summit
by Teri Harllee King
In Texas you'll often hear someone who's being asked why they've been out of touch for a long time respond with an old saying. The conversation is this: “Where've you been?" “Oh, to Hell and back." Well, since my last column, my husband (guitarist Jackie King) and I have suffered the ...
Freddie Hubbard: Straight Life (40th Anniversary Edition)
by Jeff Dayton-Johnson
CTI Records reissued trumpeter Freddie Hubbard's November 1970 date, Straight Life, in 2011. As with some of the other reissues in this series (see John Kelman's in-depth discussion of some of the more important of these), its availability on compact disc has been spotty. Straight Life is a good--if not great--record, and it's good to have ...
Espen Eriksen Trio: What Took You So Long
by John Kelman
When Rune Grammofon first introduced In the Country with This Was the Pace of My Heartbeat, it touted the young Norwegian trio's 2005 debut as the label's first “jazz record." This is true, perhaps, using a broader definition that may rankle dogmatists more aligned with the American tradition; but over the course of the next seven ...
Slav to the Rhythm
by John Kelman
It's hard to believe that music can be so compelling that, even if only heard in passing, it's still so absolutely memorable. Catching just the first few minutes of Farmers Market at Natt Jazz 2011, thanks to an ungodly airport pickup time the following morning, left such an impression that when the first notes of the ...
The Wine of Silence (with Andrew Keeling and David Singleton)
by John Kelman
It's strange how things sometimes come around full circle...well, almost. After helping to define symphonic prog with King Crimson and the seminal In the Court of the Crimson King (DGM Live, 1969)--mellotrons screaming instead of a real orchestras swirling--the rigors of the road, and keeping a band together, caused co-founder/guitarist Robert Fripp to desert such problems ...
Wayne Krantz: Howie 61
by John Kelman
Wayne KrantzHowie 61Abstract Logix2012He's long been a musician's musician and a guitarist's guitarist--there's a reason Steely Dan's Donald Fagen recruited him for his last solo disc, Morph the Cat (Reprise, 2006), and saxophonists David Binney and Chris Potter called him up for Graylen Epicenter (Mythology, 2011) and Underground ...
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