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John Kelman's Best Releases of 2012
by John Kelman
2012 has been another banner year, but one with an ever-present problem: so much good music, but so little time. While there are many other recordings worthy of attention--and inclusion--with the usual condition that only albums that have been reviewed are eligible for selection, here are just a few of the top recorded events in jazz ...
1982 + BJ Cole: 1982 + BJ Cole
by John Kelman
With musical cross-pollination the norm, it's not just about pan-cultural blending; it's just as much about finding ways to blend the contemporary and the antiquated. Since inception, 1982 has combined instruments from across the centuries--harmonium, hardanger fiddle and drum set--wonderfully blending Norwegian traditionalism, millennium-spanning classicism and modernistic free improvisation on its self-titled, 2010 NORCD debut. If ...
Marius Neset: Norwegian Woods
by Ian Patterson
Marius Neset has become one of today's most talked-about saxophonists since the release of Golden Xplosion (Edition Records, 2011). The album, which also features pianist/keyboardist Django Bates, bassist Jasper Hoiby and drummer Anton Eger, has received widespread five-star reviews, and countless superlatives have been used to heap praise on the 26-year-old from Bergen. Neset has been ...
The Complete Arista Albums Collection
by John Kelman
When fusion first emerged in the late 1960s/early '70s with artists like trumpeter Miles Davis, pianist Chick Corea and guitarist John McLaughlin, the emphasis was on guitar and keyboard heavy lineups like Return to Forever and Mahavishnu Orchestra, with an equally strong predilection for the intensity and volume of rock and a kind of thundering funk ...
Ivar Grydeland: Bathymetric Modes
by John Kelman
A member of drone-improv band Huntsville and the more abstruse Dans les arbres who has given Ballrogg a facelift with Cabin Music (Hubro, 2012), Norwegian guitarist Ivar Grydeland has built a busy career as a performer and as co-head of the extremely left-of-center SOFA Music. In most live contexts, like his 2007 Punkt Festival appearances with ...
Benedikt Jahnel: Equilibrium
by John Kelman
He may be better known internationally to ECM fans for his participation in the pan-cultural Cyminology, but German pianist Benedikt Jahnel has been devoting just as much attention to his multinational trio featuring Spanish bassist Antonio Miguel and American drummer Owen Howard. Releasing the trio's debut in 2008 on Viennese guitarist Wolfgang Muthspiel's Material Records imprint, ...
Kurt Rosenwinkel: Star of Jupiter
by John Kelman
How time flies. While he's been busy with a number of other projects--his collaboration with the Portuguese Orchestra de Jazz de Mataosinhos on the ambitious Our Secret World (Wommusic, 2010) and the intimate, standards-laden Reflections (Wommusic, 2009)--it's been four years since guitarist Kurt Rosenwinkel last released a small group record focusing largely on new original music. ...
Eivind Aarset: Dream Logic
by John Kelman
With the exception of trumpeter Nils Petter Molvær and singer Sidsel Endresen--who each left the label after contributing two fine albums as leaders--there seems to be an increasing number of Norwegian artists who, after establishing themselves on smaller labels, are gaining greater international exposure by moving to the venerable ECM label. Trumpeter Arve Henriksen and Cartography ...
Marcus Miller: Renaissance
by John Kelman
Some things change, other things stay the same. Marcus Miller--producer and performer with everyone from soul singer Luther Vandross and pianist Herbie Hancock to guitarist George Benson and Miles Davis, composing and producing the trumpeter's late period classic Tutu (Warner Bros., 1986)--has been releasing solo albums since 1983, but it was with The Sun Don't Lie ...
Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012
by John Kelman
Sidsel Endresen @ 60: A Special Birthday CelebrationNasjonal Jazzscene VictoriaOslo, NorwayNovember 8-9, 2012Turning 60 can mean different things to different people: for some, it's a time to think about slowing down, and for others, it's a time to kick into higher gear. In the case of jazz and improvising musicians, age ...
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