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Gary Peacock / Marilyn Crispell: Azure
by John Kelman
Who leads a project is often nothing more than a matter of optics. Bassist Gary Peacock's name may come first on the cover of Azure, but there's no doubt that this is a collaborative affair, with pianist Marilyn Crispell an equal participant; the two even co-produced the recording, with label head Manfred Eicher nowhere to be ...
2013 TD Ottawa Jazz Festival: Ottawa, Canada, June 21-26, 2013
by John Kelman
TD Ottawa Jazz FestivalOttawa, CanadaJune 20-July 1, 2013Having made the decision, in 2012, to broaden its stylistic purview to include not only music on the periphery of jazz, but artists with no real connection to the founding raison d'être of the festival, the 2013 TD Ottawa Jazz Festival continued to bring extracurricular music ...
Reijseger / Harmen Fraanje / Mola Sylla: Down Deep
by John Kelman
As one of its first signings, Ernst Reijseger has amassed a sizable discography with Winter & Winter. Werner Herzog--with whom Reijseger has also shared a lengthy relationship, scoring seven of the German film director's films since 2000's Ajax: Hark the Herald Angels Sing--has aptly described the Dutch cellist as capable of anything, furthermore suggesting that he ...
David Binney: Lifted Land
by John Kelman
In a career that seems to go from strength to strength and milestone to milestone, it's hard to imagine how David Binney manages to not only release one terrific record after another, but to do so, in some cases, under some pretty constricting terms. Like the five other albums that the influential saxophonist/composer has recorded as ...
Überjam Deux
by John Kelman
It's been a decade since Up All Night (Verve, 2003), John Scofield's second and, at the time it seemed, final album with his Überjam band, a group of younger players who, following his earlier forays into the territory—1998's first meeting with Medeski, Martin & Wood, A Go Go (Verve), and the larger-casted Bump (2000)—placed the guitarist ...
Julia Hulsmann Quartet: In Full View
by John Kelman
There's no denying the benefit of stable longevity, but neither is there anything wrong with change. Following three ACT recordings that featured her trio--together since Scattering Poems (ACT, 2003)--supporting a series of vocalists, Julia Hülsmann moved to ECM, where the pianist was afforded greater freedom to more fully explore her trio's potential on 2008's The End ...
Joe Locke: Lay Down My Heart - Blues & Ballads Vol 1
by John Kelman
In a rarefied space, Joe Locke continues to evolve, engage and impress. There simply isn't another vibraphonist of his generation with Locke's stellar chops, thorough understanding of history/tradition--not just of jazz, but of music, period--and ability to build programs based on thematic concepts that not only stand out in his gradually growing discography, but fit contextually ...
Susanne Abbuehl: The Gift
by John Kelman
There was a time when artists were expected to release a record every year--sometimes a very good thing, as there was so much development going on that there was plenty to document; other times a less-than-ideal situation, as some artists simply didn't have that much music in them, so releasing albums too frequently often worked against--rather ...
Trilok Gurtu: Spellbound
by John Kelman
In a 35-year career that's stretched from Oregon and saxophonists Jan Garbarek and Charlie Mariano, to violinist Shankar and guitarists John McLaughlin and Nguyên Lê, Trilok Gurtu has established a very specific talent. Few kit drummers are as adept as Gurtu on tabla and the Indian konnakol vocal percussion tradition; conversely, few tablaists/konnakol experts are as ...
Bill Frisell: Big Sur
by John Kelman
Most, if not all, musicians value the relationships--both musical and friendship--that they build over the years, but few are as loyal as guitarist Bill Frisell. One look at his various releases over the past couple of decades and it becomes instantly clear that, once he has established a successful working and personal relationship with another musician, ...
