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203

Article: Album Review

Denny Zeitlin: Solo Voyage

Read "Solo Voyage" reviewed by John Kelman

by John Kelman

Most jazz artists must face the harsh reality that it's almost impossible to sustain a living by making music. Many find themselves having to take alternate employment in order to allow pursuance of their art, and then face the considerable challenge of doing so without impeding their continued development. So perhaps Denny Zeitlin has had it ...

185

Article: Album Review

Mulgrew Miller: Live at Yoshi's Volume Two

Read "Live at Yoshi's Volume Two" reviewed by John Kelman

by John Kelman

Sometimes a live performance is a singular experience--not capable of being relived, and consequently not meant to be documented. Other times it's so vivid and so rich in emotion that it bears repeat visits. Pianist Mulgrew Miller's '04 trio release, Live at Yoshi's Volume One was one such show--so worthy, in fact, that its very title ...

268

Article: Album Review

Dave Stryker: Big City

Read "Big City" reviewed by John Kelman

by John Kelman

While jazz's miniscule 3% of overall CD sales in North America argues that it's not only marginalized, but in serious trouble, the genre continues to see an upsurge in the number of gifted players who operate with loyal followings that may not make them wealthy, but certainly allow them to continue evolving. For every high-profile artist ...

152

Article: Album Review

Doug Wamble: Bluestate

Read "Bluestate" reviewed by John Kelman

by John Kelman

Go figure guitarist/vocalist Doug Wamble. On the strength of his sophomore release, Bluestate, he's clearly an amalgam of a variety of influences--blues, gospel, bebop, country, even a little bluegrass and a hint of the Middle Eastern. He's as likely to cover Peter Gabriel, Steve Wonder and traditional spirituals as he is write his own complex charts, ...

315

Article: Album Review

Terence Blanchard: Flow

Read "Flow" reviewed by John Kelman

by John Kelman

While some bemoan the fact that there have been no “major" developments in jazz in some time--and go so far as to cite that as proof jazz is dead or, at the very least, dying--they're missing the point. With the seemingly infinite number of sources that are being adopted and adapted into jazz contexts these days, ...

1,563

Article: Interview

Kurt Rosenwinkel: Latitude

Read "Kurt Rosenwinkel: Latitude" reviewed by John Kelman

by John Kelman

Of the new wave of players that has emerged in the past decade including Adam Rogers, Jacob Young and Jeff Parker, the one most seen to be representing the future of jazz guitar is Kurt Rosenwinkel--a player who is rightfully taking his place alongside other significant contemporary figures like Pat Metheny, John Scofield, John Abercrombie and ...

262

Article: Album Review

Javon Jackson: Have You Heard

Read "Have You Heard" reviewed by John Kelman

by John Kelman

Continuing down the path he laid with '03's Easy Does It, tenor saxophonist Javon Jackson's latest, Have You Heard, is another groove-happy release that turns away from his earlier straight-ahead discs on Criss Cross and Blue Note, moving even further towards a soulful, funky vibe with greater crossover appeal. Lightweight it may be, but it's also ...

128

Article: Album Review

Various Artists: Gospel for JFP III: Tribute to Jaco Pastorius

Read "Gospel for JFP III: Tribute to Jaco Pastorius" reviewed by John Kelman

by John Kelman

In his relatively short life, John Francis “Jaco Pastorius III not only revolutionized the role of the electric bass, he contributed a small but resonant body of composed work that remains influential to this day. Pastorius is best known for his work with Weather Report and his own Word of Mouth band. The tragedy of mental ...

300

Article: Album Review

Miguel Zenon: Jibaro

Read "Jibaro" reviewed by John Kelman

by John Kelman

With the relatively concurrent release of Wayne Shorter's new live recording, Beyond the Sound Barrier, and alto saxophonist Miguel Zenon's Jibaro, there are bound to be comparisons. Like Shorter, Zenon is a deep thinker, capable of taking the simplest Puerto Rican folk melodies--the basis of Jibaro--and placing them into more harmonically and rhythmically complex contexts. Also ...

329

Article: Album Review

Frances-Marie Uitti/Paul Griffiths: There Is Still Time

Read "There Is Still Time" reviewed by John Kelman

by John Kelman

Like its more jazz-centric regular issues, ECM's New Series--which has focused almost exclusively on classical composition, with a strong predilection for contemporary writers like Arvo Pärt and Giya Kancheli--has provided safe haven for projects that blur the boundaries of strict definition. Cellist Anja Lechner and pianist Vassilis Tsaboropoulos' Chants, Hymns and Dances interpreted the music of ...


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