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117

Article: Album Review

The Mary Lou Williams Collective: Zodiac Suite: Revisited

Read "Zodiac Suite: Revisited" reviewed by John Kelman

by John Kelman

In a time when “female jazz performer is no longer an oxymoron, it's important to remember there was a time when jazz was essentially a men's club. All the more remarkable, then, that pianist Mary Lou Williams was not just an accomplished artist--in a time where women jazzers were typically relegated to vocalist roles--but a forward-thinking ...

129

Article: Album Review

Ken Hatfield: String Theory

Read "String Theory" reviewed by John Kelman

by John Kelman

In a departure from previous albums like The Surrealist Table (Arthur Circle Music, 2003), guitarist Ken Hatfield leaves behind his Latin-inflected ensemble work on String Theory. On this strictly solo affair, Hatfield delivers something completely unexpected. Classical guitar has been Hatfield's mainstay for some time, and his style references many of the trendsetters who have come ...

551

Article: Album Review

Chick Corea: The Ultimate Adventure

Read "The Ultimate Adventure" reviewed by John Kelman

by John Kelman

Some artists find it enough to find their niche and work it over the course of their entire career, refining it in ways that keep it fresh but still inherently focused. But there are also others whose voracious musical appetites compel them to explore a wider musical world, all the while evolving an instantly recognizable voice. ...

267

Article: Album Review

Rabih Abou-Khalil / Joachim Kuhn / Jarrod Cagwin: Journey to the Centre of an Egg

Read "Journey to the Centre of an Egg" reviewed by John Kelman

by John Kelman

In the realm of instruments from off the beaten path in jazz, the oud remains one of the most intriguing. On a series of ECM albums, Anouar Brahem has experimented with the eleven-string lute in a variety of settings, but he tends to fashion close ties with his Tunisian cultural aesthetic. Lebanese oudist Rabih Abou-Khalil has ...

249

Article: Album Review

Frank Gambale: Natural High

Read "Natural High" reviewed by John Kelman

by John Kelman

Committed fusioners might be disappointed when they read the back cover of shred-meister Frank Gambale's latest release, Natural High. After all, the Aussie guitarist is best-known for his high-volume, high-velocity chops as a member of Chick Corea's Elektric Band and on his own series of albums, including Raison D'être (Wombat, 2004)--which, featuring his innovative Neauveau Tuning, ...

296

Article: Album Review

Clogs: Lantern

Read "Lantern" reviewed by John Kelman

by John Kelman

With each successive release, Clogs move further away from the neoclassicism of Thom's Night Out (Brassland, 2001) towards a unique blend of contemporary chamber music, indigenous folk music, trance-like minimalism and idiosyncratic song structure. But Lantern represents a number of firsts for the group.Previous albums including Lullaby for Sue (Brassland, 2003) and Stick Music ...

282

Article: Album Review

Anders Jormin / Severi Pyysalo: Aviaja

Read "Aviaja" reviewed by John Kelman

by John Kelman

Swedish bassist Anders Jormin is familiar to anyone who followed the re-emergence of saxophonist Charles Lloyd and trumpeter Tomasz Stanko on the ECM label in the early 1990s--not to mention his longstanding relationship with pianist Bobo Stenson. But since the mid-1980s, Jormin has slowly built his own solid body of work as a leader.

134

Article: Album Review

Larry Goldings: Quartet

Read "Quartet" reviewed by John Kelman

by John Kelman

Because he's placed so much emphasis on the organ in recent years--most notably his ongoing trio with guitarist Peter Bernstein and drummer Bill Stewart--it's easy to forget just how good a pianist Larry Goldings can be. Even though the two instruments share similar configurations, it's not inherently easy to transfer skills from one to the other. ...

485

Article: Album Review

Chris Potter: Underground

Read "Underground" reviewed by John Kelman

by John Kelman

At only 35, saxophonist Chris Potter has amassed a surprisingly large discography--over a dozen records as a leader, and collaborations that include a marathon eight-year relationship with bassist Dave Holland. His technical prowess, robust tone and uncanny control are matched by a seemingly endless imagination, allowing him to build extended solos that never lose focus. And ...

568

Article: Album Review

Bill Bruford / Tim Garland: Earthworks Underground Orchestra

Read "Earthworks Underground Orchestra" reviewed by John Kelman

by John Kelman

Although jazz has left behind its America-centricity and become a more international language, a mysterious chasm still exists between the American and UK jazz scenes. For every artist like Kenny Wheeler who has achieved American recognition, a dozen others have not. But with Earthworks Underground Orchestra, drummer Bill Bruford and woodwind multi-instrumentalist Tim Garland narrow the ...


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