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293

Article: Album Review

Shawn Colvin: Live

Read "Live" reviewed by John Kelman


In these days of Pro Tools, punch-ins, and quantizing, it's a sad reality that many artists who sound great on record are incapable of pulling off live performances of equal quality; it's now possible to make a silk purse out of a sow's ear. Then there's singer/songwriter Shawn Colvin. Starting with the breakthrough hit Steady On ...

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Article: Live Review

Allan Holdsworth Trio: Gatineau, Canada

Read "Allan Holdsworth Trio: Gatineau, Canada" reviewed by John Kelman


Allan Holdsworth TrioMaison de la Culture de Gatineau Gatineau, Canada September 28, 2009 In a trio, changing only one member can make a tremendous difference. It's been two years since guitar legend Allan Holdsworth last performed in eastern Canada but, with an eight-city tour focused largely in the province of Quebec, it's ...

433

Article: Album Review

Larry Carlton With Special Guest Robben Ford: Live in Tokyo

Read "Live in Tokyo" reviewed by John Kelman


With blues/jazz guitarist Robben Ford's Soul on Ten (Concord, 2009) receiving widespread attention, it's a good time to look at Live in Tokyo, a somewhat overlooked but unmistakably smokin' 2007 release from another West Coast guitar god, Larry Carlton. Carlton invited Ford to join his band for some dates in Tokyo in the fall of 2006, ...

342

Article: Album Review

Gary Peacock / Marc Copland: Insight

Read "Insight" reviewed by John Kelman


Gary Peacock and pianist Marc Copland have been working together for nearly 20 years, though most often in a trio setting. Peacock was Copland's bassist of choice on two of his New York Trio Recordings trilogy sets— Modhina (2006) and Voices (2007), both on the German Pirouet label. But for a pianist who mines dark, impressionistic ...

580

Article: Album Review

Kornstad: Dwell Time

Read "Dwell Time" reviewed by John Kelman


Since emerging in the 1990s with Wibutee, saxophonist/flautist Håkon Kornstad has gradually evolved into one of Norway's most exciting and innovative players--a description that would, no doubt, be applied by a broader international audience were he to recieve the exposure he so richly deserves. In recent years, combining unparalelled extended technique on his instruments with equally ...

487

Article: Album Review

e.s.t.: Retrospective: The Very Best of e.s.t.

Read "Retrospective: The Very Best of e.s.t." reviewed by John Kelman


Swedish pianist Esbjörn Svensson's accidental death in 2008 shook the jazz world, with AAJ news items surrounding his passing garnering tens of thousands of reads. Already jazz superstars in Europe, Svensson and e.s.t. were still building a North American audience, touring regularly to gradually grow its fan base; clearly it was working. All the more tragic, ...

376

Article: Album Review

Egberto Gismonti: Saudacoes

Read "Saudacoes" reviewed by John Kelman


It's been over a decade since Egberto Gismonti released the ambitiously symphonic Meeting Point (ECM, 1997). Saudações continues to expand this Brazilian composer/pianist/guitarist's ouevre, with one disc devoted to a sprawling, seven-part work for Camerata Romeu, a 16-piece Cuban string ensemble; and the second an intimate series of guitar duets and solos, featuring Gismonti and his ...

586

Article: Album Review

Anouar Brahem: The Astounding Eyes of Rita

Read "The Astounding Eyes of Rita" reviewed by John Kelman


In the world of the oud--the fretless, Middle Eastern incarnation of the lute--there are three artists who are moving the instrument--and its centuries-old tradition--forward. Tunisian-born Dhafer Youssef has explored the integration of technology and western classicism on Divine Shadows (Jazzland, 2006), while Lebanese-born Rabih Abou-Khalil has investigated a nexus with horn-driven large ensemble on The Cactus ...

480

Article: Extended Analysis

Keith Jarrett: Testament - Paris / London

Read "Keith Jarrett: Testament - Paris / London" reviewed by John Kelman


What makes a performance release-worthy? There are those who would like to see any and all recordings made by an artist released in some fashion, and with the advent of digital downloads there are artists doing just that. Still, as the old adage says, “just because you can doesn't mean you should." Greater discretion ...

403

Article: Album Review

Theo Travis: Slow Life

Read "Slow Life" reviewed by John Kelman


Between solo albums like Earth to Ether (33 Jazz, 2004) and Double Talk (33 Jazz, 2007), and working with progressive/fusion bands including Porcupine Tree, Gong, The Tangent, and Soft Machine Legacy, Theo Travis has become one of England's hardest working woodwind multi-instrumentalists. A fine player with a broad vernacular--blending the jazz tradition with a deeper understanding ...


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