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Tali Rubinstein: Plastic Art
by Scott Krane
Recorder player, Tali Rubinstein, studied early music from the Baroque and Renaissance periods for many years, mostly as a teenager. The Israeli-American virtuoso learned under Bracha Kol, a recorder player and operatic vocalist based in Israel. If asked back then whether she was interested in playing jazz, Rubinstein would have looked at you with some interest ...
Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album
by Doug Collette
It has been years since the woefully unsung pianist Hasaan Ibn Ali recorded Metaphysics and, while its circuitous route to release is worth more than a little note, that story seems to have taken precedence over insight into and observation of the music itself. In keeping with its customarily astute archival approach, the Omnivore curating team ...
John Coltrane: Top Ten Live Albums
by Chris May
This article is a companion piece to John Coltrane: An Alternative Top Ten Albums, which listed ten albums widely regarded as essential items in John Coltrane's discography and discussed another ten of comparable importance. John Coltrane: Top Ten Live Albums narrows the focus to club and concert recordings. Coltrane's live performances had a ...
Mike Taylor: Trio, Quartet & Composer Revisited
by Chris May
Historical context: Extracts from the diary of Ron Rubin, one of two bassists, the other being Jack Bruce, on Mike Taylor's Trio (Lansdowne, 1967).... “Saturday 18th February 1967. UFO, Tottenham Court Road. 'Giant Sun Trolley' Happening, opposite the Soft Machine etc. Mike spent the evening lying comatose, rigid and immobile in the middle of ...
The Unstoppable James Brandon Lewis
by Eric Gudas
Tenor saxophonist, composer, and writer James Brandon Lewis is driven by a restlessness that makes him one of his generation's standout players of, and thinkers about jazz. Although he was voted Rising Star Tenor Saxophonist in the 2020 DownBeat Magazine International Critic's Poll, most might say, after listening to his recent releases, that his star has ...
Lorne Lofsky: This Song Is New
by Friedrich Kunzmann
The liner notes to This Song is New explain how the term “old school" suits guitarist Lorne Lofsky just fine. Not in its pejorative sense, but rather in the spirit of a master of an old art, now considered to be quaint. It is indeed a fitting description for the compositions and performances that constitute the ...
Dan Blake: Da Fé
by Jerome Wilson
A lot of personal factors go into saxophonist Dan Blake's music on this CD, such as his concerns about the environment, his Buddhist teachings and his social activism. What comes out of this is a style of electro-acoustic jazz which is alternately meditative and fiery. The basic music here was performed in the studio ...
Ulysses Owens Jr. Big Band: Soul Conversations
by Jack Bowers
Drummer Ulysses Owens Jr.'s Big Band comes out swinging on its debut recording, Soul Conversations, thundering through Michael Dease's incendiary arrangement of the Dizzy Gillespie/John Lewis flame-thrower, “Two Bass Hit." For more such heat, however, the listener must move forward to Track 5, John Coltrane's impulsive “Giant Steps," thence to Track 9 for Charles Turner III's ...
Martial Solal: Coming Yesterday: Live At Salle Gaveau 2019
by Chris May
In 2010, a British writer travelled to Paris to interview the pianist Martial Solal. The address he had been given was in the affluent suburb Chatou. On arrival, Solal's house struck the writer as something quite unlike the home of any other jazz musician he had ever visited, an haute bourgeoisie villa surrounded by an ornamental ...
Shabaka Hutchings: Black to the Future
by Chris May
Though he is far too modest to make any such claim himself, most observers agree that saxophonist and clarinetist Shabaka Hutchings is the standard-bearer for the new wave of jazz musicians who have emerged in London since around 2015. Hutchings is a few years older than most of the cohort. He made his debut recording in ...
