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Article: Album Review

Diego Rivera: Love & Peace

Read "Love & Peace" reviewed by David A. Orthmann


While some of its roots lie in jazz practices of the mid-to-late twentieth century, Diego Rivera's Love & Peace brushes aside the expectations and comparisons which often accompany newly-recorded records that bear a resemblance to sounds from the past. The tenor and soprano saxophonist assembled a cast of players who frequently appear on ...

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Article: Take Five With...

Take Five with Guitarist Grant Gordy

Read "Take Five with Guitarist Grant Gordy" reviewed by AAJ Staff


Meet Grant Gordy For many guitarists, landing a gig with bluegrass mandolinist David Grisman's groundbreaking bluegrass/jazz quintet would be the culmination of a career in music. But for Grant Gordy, it was more of a beginning, an apprenticeship in combining bluegrass and jazz that served as a launchpad for his own music. How far he has ...

Article: Interview

Roberto Ottaviano: sul palco e dietro le quinte

Read "Roberto Ottaviano: sul palco e dietro le quinte" reviewed by Libero Farnè


È estremamente opportuno tornare periodicamente ad analizzare le esperienze più recenti di musicisti di grande personalità del panorama jazzistico italiano. Uno di questi è dagli anni Ottanta Roberto Ottaviano, che esordì discograficamente nel 1983 con Aspects, un lavoro rivelatore, in solo e in sestetto, di una potenza espressiva e di una creatività sconvolgenti. Dopo ...

7

Article: Album Review

Leap Day Trio: Live at The Cafe Bohemia

Read "Live at The Cafe Bohemia" reviewed by Jerome Wilson


Drummer Matt Wilson and tenor saxophonist Jeff Lederer have worked on many projects together, over a thirty-year period, covering everything from Christmas songs to the poetry of Carl Sandburg. This particular album finds them in a stripped-down trio, playing some of their most intense music ever, live at New York's reopened Cafe Bohemia. The ...

13

Article: Album Review

Matt Wilson: Live at The Cafe Bohemia

Read "Live at The Cafe Bohemia" reviewed by Mike Jurkovic


From its modest opening in 1955 until its closing in 1960, 15 Barrow Street in Greenwich Village, aka Cafe Bohemia, housed such progressive jazz creators as Oscar Pettiford, Horace Silver and Kenny Dorham. Charlie Parker, who lived across the street, was booked to open the club and play for drinks but passed away before his run ...

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Article: Out and About: The Super Fans

Meet Clifford Bass

Read "Meet Clifford Bass" reviewed by Tessa Souter and Andrea Wolper


Our newest super fan's first jazz record was The Best of Nat King Cole, which he chose at just ten years old! The bug bit him so hard that, by age 14, he was listening obsessively to A Love Supreme. He is now such a fan of improvisational, in-the-moment performance that he rarely listens to recordings, ...

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Article: Album Review

Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard

Read "Got The Keys To The Kingdom: Live At The Village Vanguard" reviewed by Ian Patterson


The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at ...

5

Article: Album Review

D.B. Shrier: D. B. Shrier emerges

Read "D. B. Shrier emerges" reviewed by Mike Jurkovic


The provenance behind this full-bore blow out recorded in 1967 by Philadelphia tenor sax legend D.B.Shrier differs from most myths in the fact that we now have pure, full-blown proof of what a night in his company sounded like: A scorching combustion of energy, virtuosity and audience adulation. Originally released by Alfa Records in ...

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Article: Opinion

Not Like Before: Michael Robinson's Jazz Without Borders

Read "Not Like Before: Michael Robinson's Jazz Without Borders" reviewed by Michael Robinson


Playing my personal vision of jazz, claiming that name as part of my heritage, I endeavor feeling the rhythms of life in the present, past and future, entering into them through touch and nuance at the piano, connecting rajas, sattva and tamas; circular movement, cohesion and disintegration. I've been fortunate to know masters of improvised ...

2

Article: Liner Notes

Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record

Read "Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record" reviewed by Chris May


In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be ...


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