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Wayne Shorter remembered as Jazz's Shaman Of Musical Influence
by Doug Hall
The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...
Introducing Jazz History And Literature, Reconceived
by Phillip A. Haynes
When I was invited to offer jazz coursework in 2007, as Bucknell University's first Kushell Jazz Artist-in-Residence, my Chair asked what single subject I thought was most important to teach. I responded, “an integrated jazz history & literature sequence, including a semester of classic jazz and one of modern jazz." To which he replied, “Fine, just ...
Randy Weston, Roy Haynes, Wayne Shorter
by David Brown
This week, our featured artist is pianist, composer and seeker of his ancestral African connection, Randy Weston; a set featuring one of the most recorded drummers in jazz history, Roy Haynes, from Coltrane to Etta Jones will follow. The show continues with a set of tracks recorded live at San Francisco's fabled night club the Blackhawk ...
A Fireside Chat With Wayne Shorter
by AAJ Staff
This article was first published at All About Jazz in October 2002. I have done my fair share of Firesides (500 or so last census). I have favorites. Certainly, the first Sonny Rollins was memorable. Cecil Taylor, Charles Lloyd, Joe Chambers, and Lester Bowie were provocative. Willie Nelson was high (allegedly) and Tony Bennett ...
Jazz For The Serious Connoisseur
by Phillip A. Haynes
In tackling this top ten list for serious students of jazz, the focus was on works that shocked and intrigued upon first and successive listens, striving to understand their meaning, materials, historical context, and influence on contemporary improvisation. “Blackbird" (1980) by Bobby McFerrin, The Voice (Elektra, 1984) When released, McFerrin's astounding virtuosity ...
Lakecia Benjamin: Phoenix
by Jerome Wilson
The previous album by saxophonist Lakecia Benjamin, Pursuance: The Coltranes, (Ropeadope, 2020) was a multifaceted tribute to the music of both John Coltrane and Alice Coltrane. Her new album takes on societal and human issues with similar diversity but in a more compact and organized manner. It moves from a socially aware mix of soul, R'n'B, ...
Louis Stewart: Out On His Own
by Ian Patterson
In his lifetime, Irish guitarist Louis Stewart was probably more celebrated abroad than at home, winning the Best Soloist prize at Montreux Jazz Festival in 1968, playing in the house band at Ronnie Scott's and touring with Benny Goodman, J.J. Johnson and George Shearing. His third album, his extraordinary solo opus Out On His Own, was ...
Steve Davis: Systems Blue
by C. Andrew Hovan
From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that ...
Francesca Han: Exuding Honesty
by Ian Patterson
Pianist and composer Francesca Han's duo album with Ralph Alessi, Exude (Hanji, 2022), is a timely reminder of the Korean's talent as an interpreter, an improvisor and as a creative force. It is a beautiful, conversational album, open to multiple influences. Classically trained, Han discovered jazz while studying in her native Seoul. It was ...
Eddie "Lockjaw" Davis with Shirley Scott: Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums
by Mark Corroto
There is something undeniably hip about the four discs which make up Cookin' With Jaws And The Queen, the music by tenor saxophonist Eddie “Lockjaw" Davis and Hammond B3 organist Shirley Scott. Recorded in three sessions between June and December 1958, at Rudy Van Gelder's studio, which happened to be in his parents' home, the music ...
