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Paul Dunmall: Identical Sunsets
by Raul d'Gama Rose
If history is to be served properly, saxophonist Paul Dunmall's Identical Sunsets reaches, with much nervous energy, that part of the sonic universe that John Coltrane reached in the last months of his playing career. In the stellar regions of that universe, the heart--and, therefore, Dunmall's instrument of choice (in this case, the tenor saxophone)--does not ...
Marc Copland Trio: Haunted Heart
by John Kelman
Originally released in 2001, Marc Copland's Haunted Heart deserves re-examination and re-evaluation, as hatOLOGY brings one of the perennially undervalued pianist's most sublime trio recordings back into print. With the original subtitle--And Other Ballads--removed, those familiar with Copland's intimate approach will already know what to expect, especially with a trio that, in the early part of ...
Lenny White: Jazz/Rock Collides Again
by Carl L. Hager
When that cool, overcast dawn arrived in Bethel, New York, neither the Woodstock Music and Arts Fair's expired permit, nor the rain, mud, and technical problems could have kept Jimi Hendrix and his Band of Gypsys from playing. It was destiny. Believe it. A hundred miles south on that same morning of August ...
Free Jazz: The Jazz Revolution of the '60s
by Robert Levin
The following is a chapter from the book “Going Outside: Fiction * Commentary * Jazz." robert-levin.com. [Editor's note: Revised and expanded here, this piece originated as an oral essay for an installment of the Cosmoetica Omniversica internet radio series on the arts and sciences. The series was hosted by Dan Schneider and Art Durkee.] ...
"Dancing:" It's A Dirty Word
by Bruce Lindsay
JazzLife UK continued apace during May and June 2010, adding many more photographs to the project and hearing more great jazz in yet more odd and unusual venues. Early May brought more indications of summer to the British weather, and ushered in a General Election. JazzLife UK can now reveal--as promised in my previous article--that the ...
Red Garland: The 1956 Trio
by Eric J. Iannelli
By the time pianist Red Garland recorded the amalgam of tracks on this essential disc, he'd been playing with the Miles Davis Quintet for about a year. Although he had performed alongside big names before, including Charlie Parker and Lester Young), The Quintet (as it would come to be known) was truly an all-star lineup: Garland, ...
Rasmus Ehlers featuring George Garzone: As Played by Ear
by Jakob Baekgaard
There are certain constellations which seem to bring out the best in an already accomplished musician. Just think of the great rhythm sections of Art Pepper, John Coltrane and Miles Davis, and it's evident that individual mastery isn't all that is required to make magic. A superior sense of group interplay is also needed to aspire ...
Jessica Williams: Musical Truths
by Dan McClenaghan
Pianist Jessica Williams begins a free-wheeling and fascinating conversation with a fan by thanking him for the kind words he has spoken about her music. Then she adds: “But you don't always have to say kind words, you know, as long as you always say the truth." It's advice that is very much in ...
Vic Damon, 30th Street Studio, Village Vanguard
by Sean Dietrich
The oft forgotten recording studio. It's humble presence remains under-acclaimed. Electric lights suspended high above a giant mess of cables. Omniscient microphones standing tall, appraising the heart of arrogant musicians who approach. Scribbled papers rest on music stands, while heated brawls are incubated among hot headed horn players. This is where music is born. And yet ...
Roberto Magris: Mating Call
by C. Michael Bailey
For the contemporary jazz composer, inclusion of standards on a recording can sweeten the offering for those more traditional tastes. If the standard is treated with invention and grace, it can also inform those tastes, encouraging further listening. Italian pianist/composer Roberto Magris achieves both with Tadd Dameron's “Mating Call." Dameron's performance of his composition appeared on ...
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