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310

Article: Album Review

Milt Jackson: Sunflower

Read "Sunflower" reviewed by John Kelman


With a series of mainstream dates to his credit dating back to the early 1950s—not to mention charter membership in the now-legendary Modern Jazz Quartet (MJQ) and one-offs with everyone from bop saxophonist Charlie Parker to “new thing" saxophonist John Coltrane—vibraphonist Milt Jackson was the clear link between his instrument's swing era beginnings with Lionel Hampton ...

227

News: Recording

One Track Mind: John Coltrane, "Like Sonny" (1961)

One Track Mind: John Coltrane, "Like Sonny" (1961)

By Nick DeRiso “Like Sonny," reportedly based on an element of a Sonny Rollins solo—perhaps during “My Old Flame," from Kenny Dorham's 1957 Jazz Contrasts record?—illustrates the remarkable attention to detail that still makes John Coltrane's music not just interesting but important. He wasn't a stylist, or someone attempting to mimic someone else. Coltrane was trying ...

906

Article: Live Review

Umbria Jazz Winter #18

Read "Umbria Jazz Winter #18" reviewed by Joan A. Cararach


Umbria Jazz Winter #18 Orvieto, Italia 29 de diciembre 2010--2 de enero 2011En el jazz los sueños existen. Uno de ellos se llama Orvieto.Hermano menor del Umbria Jazz Festival que cada verano se celebra en Perugia, el Umbria Jazz Winter de Orvieto complementa de un modo sabio las programaciones de ambos festivales ...

157

Article: Album Review

John Surman: Flashpoint: NDR Jazz Workshop - April '69

Read "Flashpoint: NDR Jazz Workshop - April '69" reviewed by John Kelman


1969 was a watershed year for John Surman. He released his eponymous debut on Dutton Vocalion that year, but it was the recording session for How Many Clouds Can You See? (Vocalion, 1970), that made the year of Woodstock and man's first steps on the moon so portentous for the 25 year-old saxophonist An album effortlessly ...

658

Article: Interview

Marcus Miller: The Perfect Balance

Read "Marcus Miller: The Perfect Balance" reviewed by Esther Berlanga-Ryan


Marcus Miller is a master musician of calm wisdom and impeccable taste, whose talent has been exposed to the elements under different kinds of light through the years, only to magnify the evident supremacy he so gently seems to hold over the bass guitar in recent years. As a multi-instrumentalist of deep musical curiosity, he has ...

134

Article: Multiple Reviews

CTI Masterworks: The Second Batch

Read "CTI Masterworks: The Second Batch" reviewed by John Kelman


After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...

574

Article: Take Five With...

Take Five With Mike DiRubbo

Read "Take Five With Mike DiRubbo" reviewed by AAJ Staff


Meet Mike DiRubbo:Born on July 25, 1970 in New Haven, Connecticut, Mike DiRubbo began his musical life as a junior high school clarinetist, and switched to alto saxophone at 12. A primarily self-taught saxophonist, he developed into a talented instrumentalist drawn inexorably to the notion of improvising. At a high school band concert, Mike ...

225

Article: Album Review

Chris Crocco: The Chris Crocco Fluid Trio +

Read "The Chris Crocco Fluid Trio +" reviewed by Karl Ackermann


The best of creative modern jazz can be visualized like Providence's Waterfire: living, breathing art with the near silence of water and sizzle of fire. True to that spirit, The Chris Crocco Fluid Trio + offers both vitalizing and hushed elements in the sequence of tunes on its self-titled sophomore outing. Crocco, the southern-born, New York-based ...

275

Article: Take Five With...

Take Five With Omar Tamez

Read "Take Five With Omar Tamez" reviewed by AAJ Staff


Meet Omar Tamez:He studied music with master in composition. He studied with the composer and teacher Nicandro Tamez. Skillful courses of composition and/or conferences with André Richard, Daniel Catán, Mario Lavista, Manuel de Elí¬as, Helmut Lachmann, Pierre Boulez and Karlheinz Stockhausen. Has made concerts in Mexico, United States, Italy, Instrument(s):Guitars, ...

427

Article: Album Review

Roxy Coss: Roxy Coss

Read "Roxy Coss" reviewed by Wilbert Sostre


With the exception of a few instrumentalists like pianist Mary Lou Williams, most women in the so called golden era of jazz were singers. That situation has changed in the last few years, with more and more extraordinaire female musicians entering the jazz scene. Bassist Esperanza Spalding, pianist Hiromi, drummer Cindy Blackman and saxophonist/clarinetist Anat Cohen ...


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