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Michel Camilo: Mano A Mano
by Larry Taylor
With Mano A Mano, Michel Camilo goes hands-to-hands in spirited exchange with conguero Giovanni Hidalgo, surely hearkening back to the pianist's Dominican/Afro-Cuban roots. This approach results in the great pianist tempering his style. His flamboyant virtuosity is mostly restrained; here, he is more subdued than bombastic. His playing, though, is just as effective, but in a ...
Ornette Coleman: The Shape Of Jazz To Come
by C. Michael Bailey
Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, could morph into a standalone group that was the epitome of grace, elegance and cool dignity. But that's exactly what happened when Gillespie recruited ...
Brad Mehldau: Live in Marciac
by Kevin Davis
In his 2000 book Fargo Rock City (Scribner), Chuck Klosterman explains a phenomenon in heavy metal that involves the critical threshold at which the speed of notes within a solo actually changes the inherent meaning of the sound. To illustrate his point, he describes a passage by ex-Kiss guitarist Vinnie Vincent that, upon crossing said threshold, ...
Freddie Hubbard: Pinnacle - Live and Unreleased from Keystone Korner
by Andrew J. Sammut
Freddie HubbardPinnacle: Live and Unreleased from Keystone KornerResonance Records2011 As album titles go, Pinnacle is closer to category than hyperbole. These seven previously unreleased tracks feature trumpeter and flugelhornist Freddie Hubbard at the apex of his abilities, recorded live at San Francisco's Keystone Korner. Some impressive West ...
Sir Roland Hanna: Colors From A Giant's Kit
by Greg Simmons
Sir Roland Hanna (1932--2002) recorded a series of undated solo piano sessions for IPO founder Bill Soren, some of which are now released as Colors From A Giant's Kit. Vault finds--those undiscovered recordings that have been made, shelved and largely unheard for decades--can be some of the most entertaining recordings in jazz. How marvelous to listen ...
Sir Roland Hanna: Colors From A Giant's Kit
by Dan Bilawsky
When an artist passes on, the true fans mourn and the record companies often search through their vaults to try to capitalize on their passing. This often results in hastily compiled collections of music, or the surfacing of sub-par recordings that weren't released for obvious reasons when the artist was still around. That's not the case ...
Hewlett-Packard TouchSmart 610 with Beats Audio
by Mark F. Turner
Though digital music has changed the landscape for everyone in the business--record companies, artists, and consumers--one of its many criticisms has been the loss of audio quality in the listening experience. Audiophiles and those old enough to remember the prevalence of Long Playing (LP) record albums (those huge flat vinyl discs now popularized by DJ scratching) ...
July Issue of Scooby-Sax Newsletter Published
The July, 2011 issue of the Scooby-Sax Newsletter has been published. The latest issue of this educational resource focuses on the analysis of transcribed solos by Al Cohn, Hank Mobley, Zoot Sims, and John Coltrane on the tune, Tenor Conclave." The four solos make a fascinating study in the similarities and differences among the tenor saxophone ...
Ornette Coleman: Tomorrow is the Question!
by C. Michael Bailey
Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...


