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Matthew Halsall: Fletcher Moss Park
by Bruce Lindsay
In the small market town of Didsbury, a few miles south of the city of Manchester, lies Fletcher Moss Park. It's a little oasis of exotic greenery that contrasts with the history of the area as a heartland of the Industrial Revolution: it's also a place where trumpeter and composer Matthew Halsall finds comfort and relaxation. ...
Stephen Riley: Hart-beat
by Greg Simmons
The tenor saxophone trio is one of the great, if somewhat underutilized lineups in jazz. Stephen Riley has made a study of the format and delivers a fine addition to a limited canon with Hart-beat. Eschewing piano and leaving the horn to carry the musical weight all by itself is an idea that was ...
Tarek Yamani Trio: Ashur
by Jerry D'Souza
Accolades often disappear in the mists of time but Tarek Yamani who won the Thelonious Monk International Jazz Composer's Award 2010, for “Sama'i Yamani," stamps his credentials in no uncertain terms on Ashur. Born in Lebanon, he is a self-taught pianist who found his groove in several styles including hip-hop, Afro-Cuban and flamenco music. He began ...
Anat Cohen: Claroscuro
by Dan Bilawsky
Art begets art on Anat Cohen's Claroscuro. The Israeli-born, New York-based multi-reedist leaves the confines of Benny Goodman's world behind, following her clarinet-only sojourn into king of swing territory, Clarinetwork: Live At The Village Vanguard (Anzic, 2010), with a wide-ranging musical treatise on the balance between light and dark. Cohen addresses each end of the color ...
Sam Newsome: The Art of the Soprano, Vol. 1
by Dan McClenaghan
Sam Newsome's The Art of the Soprano, Vol. 1 is a solo soprano saxophone outing, While not unprecedented--Steve Lacy and Evan Parker have done this before--it certainly is unusual. The straight horn all alone: no bass, no drums, no piano or guitar. Sounds lonely, and a little too sonically spare.But no one has gone ...
Bobby Zankel: Revisiting Coltrane’s “A Love Supreme”
by Victor L. Schermer
John Coltrane's iconic A Love Supreme (Impulse!, 1965) is a jazz perennial, continuing to attract and move listeners around the globe nearly five decades after it was released. Great musicians, such as guitarists John McLaughlin and Carlos Santana, and saxophonist Joshua Redman cite its profound influence on their career. The Branford Marsalis Quartet , with A ...
Bobby Zankel: Philadelphia, PA, September 22, 2012
by Victor L. Schermer
John Coltrane Birthday Celebration with Bobby Zankel's Warriors Of The Wonderful Sound40th Street Field, University of PennsylvaniaPhiladelphia, PASeptember 22, 2012It's unusual to have a jazz milestone take place in a free-for-the-people neighborhood concert on an open urban space, but that is exactly what occurred as saxophonist Bobby Zankel and his avant-garde ...
Charlie Hunter: Roots, Hard Work & Inspiration
by Doug Collette
A self-proclaimed boutique artist, guitarist Charlie Hunter could not be more proud of his work or the audience that enjoys it. He is ultimately modest about his achievements, such as they are, emphasizing the work he's put in over the years in a variety of formats, honing a craft he honestly and rightly believes represents his ...
Matteo Fraboni Quintet: This is My Music
by Alex Franquelli
There is a fragile red line separating the concept of revolution from history. While the latter is strictly connected with time, the former is an exception to it: it is a nihilist diversion aimed at rebuilding our perspectives and ultimately our history. This is My Music is an intriguing challenge to the known canons of jazz. ...
Don Byron: Music Wikipedia
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...
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