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Results for "John Coltrane"
Bobby Hutcherson: Somewhere In The Night
by Dan Bilawsky
The elder statesman of the vibraphone and the fastest gun in organ town don't seem like ideal partners on paper, but on record they gel quite well. Blue Note vibraphone icon Bobby Hutcherson and the fleet-fingered Joey DeFrancesco initially teamed up for the organist's Organic Vibes (Concord, 2006), and their chemistry was so strong that they ...
Take Five With Mathias Wedeken
by AAJ Staff
Meet Mathias Wedeken: Mathias Wedeken started playing bass at age 14, studied in Groningen (The Netherlands) and Copenhagen (Denmark). Active as sideman in Germany, with concerts and tours in Germany, Russia and Netherlands until moved to Copenhagen for good in 2009. Started his own Quartet, Quarterpounder in 2011. Released one album with Quarterpounder as ...
Pharez Whitted: For The People
by Dan Bilawsky
Indianapolis-born trumpeter Pharez Whitted has kept a low profile in the new millennium. He's busied himself with teaching, attending to his duties as Director of Jazz Studies at Chicago State University, performing live and appearing as a sideman on a scant number of under-the-radar albums, but none of this has helped to boost his reputation beyond ...
Stan Sulzmann: Neon Quartet
by Chris May
Stan Sulzmann is among the most singular saxophonists in the UK, with an instantly recognizable, lush but rough-edged sound, and a distinguished track record as a composer and arranger for large and small bands.Born in London in 1948, Sulzmann is approaching veteran status and is a source of inspiration to many of Britain's emerging ...
Take Five With Antonio Marrone
by AAJ Staff
Meet Antonio Marrone: Jazz bass guitarist, composer, educator, Antonio Marrone studied with many artists, including Paul Bollenback, Jeff Richman, John Stowell, Roy Patterson, Jamie Findlay, Royce Campbell, Scott Henderson, David Friesen, Vic Juris, Jimmy Bruno, Bob Ferrazza. In 2012, he released his first album, Solemn, and has written a bass method book, Symmetric Pentatonic ...
John McLaughlin & The 4th Dimension: Now Here This
by Ian Patterson
Guitarist John McLaughlin and his 4th Dimension group's studio debut, To The One (Abstract Logix, 2010), mined the past for inspiration. The spirit of saxophonist John Coltrane's A Love Supreme (Impulse!, 1965) drove McLaughlin's most charged electric playing in years, proving he'd lost none of his fire. Two years on, and McLaughlin's 4th Dimension returns another ...
Matthew Halsall: Fletcher Moss Park
by Bruce Lindsay
In the small market town of Didsbury, a few miles south of the city of Manchester, lies Fletcher Moss Park. It's a little oasis of exotic greenery that contrasts with the history of the area as a heartland of the Industrial Revolution: it's also a place where trumpeter and composer Matthew Halsall finds comfort and relaxation. ...
Stephen Riley: Hart-beat
by Greg Simmons
The tenor saxophone trio is one of the great, if somewhat underutilized lineups in jazz. Stephen Riley has made a study of the format and delivers a fine addition to a limited canon with Hart-beat. Eschewing piano and leaving the horn to carry the musical weight all by itself is an idea that was ...
Tarek Yamani Trio: Ashur
by Jerry D'Souza
Accolades often disappear in the mists of time but Tarek Yamani who won the Thelonious Monk International Jazz Composer's Award 2010, for “Sama'i Yamani," stamps his credentials in no uncertain terms on Ashur. Born in Lebanon, he is a self-taught pianist who found his groove in several styles including hip-hop, Afro-Cuban and flamenco music. He began ...
Anat Cohen: Claroscuro
by Dan Bilawsky
Art begets art on Anat Cohen's Claroscuro. The Israeli-born, New York-based multi-reedist leaves the confines of Benny Goodman's world behind, following her clarinet-only sojourn into king of swing territory, Clarinetwork: Live At The Village Vanguard (Anzic, 2010), with a wide-ranging musical treatise on the balance between light and dark. Cohen addresses each end of the color ...
