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Michael Pedicin: Compassion Joins Creativity
by R.J. DeLuke
Saxophonist Michael Pedicin, he of the rich tone and fertile imagination, is on a tear lately. His last three albums are remarkable, exhibiting both his catchy improvisational skill and simple beauty. His 2011 album, Ballads... Searching for Peace (Jazz Hut Records) is that beauty on display and one of the best ballad albums to ...
Minton's: An iconic Jazz Haven Re-opens in Harlem
by Rob Mariani
An iconic jazz haven is born again. It's a name I don't think I've heard spoken of in many years. And so when I learned that after many years, “Minton's Playhouse" was re-opening at its original address at West 118th Street in Harlem on the ground floor of the old Cecil Hotel, I was ...
Christian Hymns Set To Jazz Impacts Lives
“Energized Music Transcends Worship and Ethnicity" Pennington, NJ – Critically acclaimed recording artist, composer / arranger, and jazz saxophonist Jack Furlong will release Charity—his fourth album and first project of jazz improvisation over Christian hymns—on Tuesday, November 19, 2013 in mid New Jersey near Pennsylvania. Coincidentally — not unlike John Coltrane 50 years ago—the songs are ...
Ivo Perelman/Matthew Shipp/Whit Dickey/Gerald Cleaver: Enigma
by Mark Corroto
With a half a dozen releases in both 2012 and 2013, one might fear that tenor saxophonist Ivo Perelman may begin to repeat himself. To put it succinctly--not a chance. Enigma features players very familiar to the saxophonist, yet in a completely new lineup. Invited here is pianist Matthew Shipp, Perelman's alter ego and ...
Being Grateful: Defining the Jazz Years Part One - 1973
by Jacob Hobson
Jazz, like the Grateful Dead, has never been particularly easy to define. It seems jazz, in its most simply defined meaning, is improvised music. The Grateful Dead have been called a thousand different things since its official formation in 1965, but has rarely been called a jazz band. There have always been and will always be ...
Jane Ira Bloom: Sixteen Sunsets
by Dan McClenaghan
Sidney Bechet pioneered the use of the soprano saxophone in jazz in the early 20s. John Coltrane brought that “straight horn" out of a relative dormancy of use in 1959 with his anthem-like take on Rodgers and Hammerstein's “My Favorite Things" on his Atlantic Records album of the same name. Steve Lacy took the soprano “out ...
Take Five With Joseph Daley
by AAJ Staff
Meet Joseph Daley: After nearly 40 years of recognition as one of the consummate sidemen on the adventurous music scene with remarkable artists like Sam Rivers, Carla Bley, Gil Evans, Charlie Haden, Taj Mahal, and many more, Joseph Daley stunned musicians and fans alike with his brilliant CD, The Seven Deadly Sins (Jaro, 2010). The ...
John Coltrane: Live at Birdland
by Nenad Georgievski
Historically important recordings by artists that are still celebrated today in most cases are those that have transcended the times they were made in. In those cases are seen more as milestones that mark their progress and advancement as artists. Such is the case with saxophonist John Coltrane where each record in his cannon indicates his ...
Take Five With Thomas Steffen
by AAJ Staff
Meet Steffen: Ctrl-Alt-U is a project from Thomas Steffen. Born in 1965, Steffen has been a drummer since he was 13 and has studied music science. Steffen has worked in different bands, projects, and film music for Dance 3D Filmfest Barcelona in 2013. Instrument(s): Drums, guitar, bass, sax, trumpet, and others.
Nicolas Meier: Kismet
by Bruce Lindsay
Guitarist Nicolas Meier is blessed with precise intonation, fluid technique and mastery of a range of different styles. As a composer, he mixes influences from Turkey, central Europe, Iberia and the Americas to craft accessible, melodic tunes. On Kismet his talents as musician and writer come together to create what might be his best album to ...
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