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5

Article: Album Review

OM: It's About Time

Read "It's About Time" reviewed by Ian Patterson

by Ian Patterson

In 1982, after five albums in ten years, Swiss free-jazz quartet OM called it a day—its four members, Christy Doran, Fredy Studer, Urs Leimgruber and Bobby Burri going their separate ways. A supposed one-off reunion in 2007 to open an exhibition on the youth movement of the 1960s and 1970s led to a successful series of ...

15

Article: Profile

20 Seattle Jazz Musicians You Should Know: Matt Jorgensen

Read "20 Seattle Jazz Musicians You Should Know: Matt Jorgensen" reviewed by Paul Rauch

by Paul Rauch

The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 1930's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

27

Article: Interview

Johanna Burnheart: Techno Jazz Shines A Light: New Directions In Music

Read "Johanna Burnheart: Techno Jazz Shines A Light: New Directions In Music" reviewed by Chris May

by Chris May

A relatively new name on London's alternative jazz scene, the German-born violinist, vocalist and composer Johanna Burnheart has made a rapid ascent since leaving the city's Guildhall School of Music & Drama in 2018. She has played on three of the scene's benchmark albums--spiritual-jazz band Maisha's There Is A Place (Brownswood, 2018), trombonist Rosie Turton's 5ive ...

11

Article: We Travel the Spaceways

The Volcanic World Of Pyroclastic Records

Read "The Volcanic World Of Pyroclastic Records" reviewed by Mark Corroto

by Mark Corroto

As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...

4

Article: Album Review

Jimmy Cobb: Remembering U

Read "Remembering U" reviewed by Pierre Giroux

by Pierre Giroux

The death of Jimmy Cobb earlier in 2020 at 91 years of age marked the end of a singular era in jazz, as well as the career of one of the tastiest drummers in the field. Beginning in the 1950s, Cobb participated in numerous seminal recordings stretching from Miles Davis' Kind Of Blue (Columbia, 1959), John ...

10

Article: Album Review

Linda Sikhakhane: An Open Dialogue

Read "An Open Dialogue" reviewed by Dan Bilawsky

by Dan Bilawsky

When tenor saxophonist Linda Sikhakhane released Two Sides, One Mirror (Skay Music, 2017), it was a statement of arrival, marking his ascendancy within the jazz ranks in his native South Africa, and departure, signaling a move to the United States that would result in studies with tenor saxophonist Billy Harper, trumpeter Charles Tolliver, bassist Reggie Workman ...

4

News: Book / Magazine

Stratusphunk: The Life and Works of George Russell By Dr. Duncan Heining Available through Amazon Worldwide

Stratusphunk: The Life and Works of George Russell By Dr. Duncan Heining Available through Amazon Worldwide

Stratusphunk is the story of remarkable musician and a remarkable man. Through his ideas and music, composer, theorist and musician George Russell joins the dots in modern jazz from bebop, though modal and free jazz and into jazz rock. It is hard to imagine another artist, who was both so influential but also so misunderstood. For ...

3

Article: Radio & Podcasts

Last Dance (for Now)

Read "Last Dance (for Now)" reviewed by Marc Cohn

by Marc Cohn

So, this is our “last dance" at least for now, and we hope to have new Gifts & Messages shows in 2021. As many of you know, even this is only a two-hour show, it's almost a full-time job, with listening to new/old music, selecting tunes, doing the program-specific research and lots of reading, in addition ...

8

Article: Album Review

Tim Berne: The Deceptive 4—Live

Read "The Deceptive 4—Live" reviewed by Mark Corroto

by Mark Corroto

The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...

35

Article: Interview

Rez Abbasi: On balancing picture with music and shifting into Django mode

Read "Rez Abbasi: On balancing picture with music and shifting into Django mode" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann

To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of ...


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