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Aram Shelton’s Fast Citizens: Two Cities
by Nic Jones
Fast Citizens may encapsulate a significant shift that's been occurring in creative improvised music over the last few decades, with the collective nature of music by a sextet of musicians who have been around long enough to qualify, more-or-less, as veterans. This is such an integral aspect of what they do, they make the case that ...
Oliver Lake, Reggie Workman, Andrew Cyrille & Irene Schweizer: Trio 3 in Amsterdam
by John Sharpe
Oliver Lake, Reggie Workman, Andrew Cyrille & Irene Schweizer Bimhuis Amsterdam October 19, 2009 Trio 3 comprises familiar faces on the European concert circuit. The group's earliest release was a concert appearance from the 1992 Swiss Willisau festival, and it has been making regular European tours ever since. Tonight ...
Bobby Bradford: Self-Determination in the Great Basin
by Clifford Allen
Born in Cleveland, Mississippi in 1934 and raised between Dallas and Los Angeles, trumpeter Bobby Bradford began playing with Ornette Coleman in Los Angeles in the 1950s, and replaced Don Cherry in an unrecorded Coleman quartet during the early 1960s. However, the most significant partnership in Bradford's musical life was with the clarinetist and composer John ...
Bobby Bradford: With John Stevens and the Spontaneous Music Ensemble
by Clifford Allen
Bobby Bradford With John Stevens and the Spontaneous Music Ensemble Nessa Records 2009 In the instances that European and American improvisers have commingled and produced concerts and recordings, especially in the halcyon days of European free improvisation (the 1970s), a significant number of these situations resulted from expatriation. And it's ...
Bobby Bradford, Tom Heasley, Ken Rosser: Varistar
by Bruce Lindsay
Recorded in Los Angeles in 1999, but mixed and released ten years later by tubaist Tom Heasley and Kronos Quartet engineer Scott Fraser, Varistar is a moody and atmospheric work from three experienced improvisers. Its predominantly slow and introspective feel of its seven improvised pieces create, at times, an almost claustrophobic intensity. The ...
Horace Tapscott: The Dark Tree
by Troy Collins
Due to his limited exposure outside of his native Los Angeles, pianist Horace Tapscott was largely unnoticed by the mainstream jazz press throughout his lengthy career. A galvanizing force in the Los Angeles scene, Tapscott co-founded the Underground Musicians Association (UGMA), later known as the Union of God's Musicians and Artists Ascension (UGMAA) in 1961, which ...
Horace Tapscott: The Dark Tree
by Chris May
The year of writing this review, 2019, is the thirtieth anniversary of the recording of The Dark Tree. It is also the twentieth anniversary of the passing of Horace Tapscott, a forgotten master of politically engaged African American spiritual jazz. The album, which is among Tapscott's finest, is crying out for a 2019 anniversary reissue. STOP ...
Theo Jorgensmann: Sheep with Two Heads
by Noel Taylor
Theo Jörgensmann, the German free jazz clarinet maestro likes to quote the Austrian cultural historian, Egon Fridell: “pure originality has no great value--it is like a sheep with two heads." Fridell, who committed suicide in 1938 as the SA arrived at his door, was fond of illustrating his thinking with vivid and elliptical images of this ...
Alex Cline: Free-Spirited Drummer
by R.J. DeLuke
West coast drummer/percussionist Alex Cline is a sensitive player with a strong feel for interesting harmonies, shifting voices and changing moods when he writes music. It's a sensitivity not usually associated with drummers. But what's inside Cline, and comes through in his music, is from an artist and a musician, not merely a drummer. ...
Seeking
By John Carter
Label: Hat Hut Records
Released: 2007
Track listing: In the Vineyard; Karen on Monday; Sticks and stones; The Village Dancers; Seeking; Dong for the Unsung.
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