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1,237

Article: Interview

Bobby Bradford: Self-Determination in the Great Basin

Read "Bobby Bradford: Self-Determination in the Great Basin" reviewed by Clifford Allen


Born in Cleveland, Mississippi in 1934 and raised between Dallas and Los Angeles, trumpeter Bobby Bradford began playing with Ornette Coleman in Los Angeles in the 1950s, and replaced Don Cherry in an unrecorded Coleman quartet during the early 1960s. However, the most significant partnership in Bradford's musical life was with the clarinetist and composer John ...

800

Article: Extended Analysis

Bobby Bradford: With John Stevens and the Spontaneous Music Ensemble

Read "Bobby Bradford: With John Stevens and the Spontaneous Music Ensemble" reviewed by Clifford Allen


Bobby Bradford With John Stevens and the Spontaneous Music Ensemble Nessa Records 2009 In the instances that European and American improvisers have commingled and produced concerts and recordings, especially in the halcyon days of European free improvisation (the 1970s), a significant number of these situations resulted from expatriation. And it's ...

258

Article: Album Review

Bobby Bradford, Tom Heasley, Ken Rosser: Varistar

Read "Varistar" reviewed by Bruce Lindsay


Recorded in Los Angeles in 1999, but mixed and released ten years later by tubaist Tom Heasley and Kronos Quartet engineer Scott Fraser, Varistar is a moody and atmospheric work from three experienced improvisers. Its predominantly slow and introspective feel of its seven improvised pieces create, at times, an almost claustrophobic intensity. The ...

370

Article: Album Review

Horace Tapscott: The Dark Tree

Read "The Dark Tree" reviewed by Troy Collins


Due to his limited exposure outside of his native Los Angeles, pianist Horace Tapscott was largely unnoticed by the mainstream jazz press throughout his lengthy career. A galvanizing force in the Los Angeles scene, Tapscott co-founded the Underground Musicians Association (UGMA), later known as the Union of God's Musicians and Artists Ascension (UGMAA) in 1961, which ...

460

Article: Album Review

Horace Tapscott: The Dark Tree

Read "The Dark Tree" reviewed by Chris May


The year of writing this review, 2019, is the thirtieth anniversary of the recording of The Dark Tree. It is also the twentieth anniversary of the passing of Horace Tapscott, a forgotten master of politically engaged African American spiritual jazz. The album, which is among Tapscott's finest, is crying out for a 2019 anniversary reissue. STOP ...

692

Article: Profile

Theo Jorgensmann: Sheep with Two Heads

Read "Theo Jorgensmann: Sheep with Two Heads" reviewed by Noel Taylor


Theo Jörgensmann, the German free jazz clarinet maestro likes to quote the Austrian cultural historian, Egon Fridell: “pure originality has no great value--it is like a sheep with two heads." Fridell, who committed suicide in 1938 as the SA arrived at his door, was fond of illustrating his thinking with vivid and elliptical images of this ...

1,088

Article: Interview

Alex Cline: Free-Spirited Drummer

Read "Alex Cline: Free-Spirited Drummer" reviewed by R.J. DeLuke


West coast drummer/percussionist Alex Cline is a sensitive player with a strong feel for interesting harmonies, shifting voices and changing moods when he writes music. It's a sensitivity not usually associated with drummers. But what's inside Cline, and comes through in his music, is from an artist and a musician, not merely a drummer. ...

Album

Seeking

Label: Hat Hut Records
Released: 2007
Track listing: In the Vineyard; Karen on Monday; Sticks and stones; The Village Dancers; Seeking; Dong for the Unsung.

161

Article: Album Review

John Carter / Bobby Bradford Quartet: Seeking

Read "Seeking" reviewed by Jerry D'Souza


The New Art Jazz Ensemble was formed in 1964 by John Carter (alto and tenor saxophones, clarinet, flute) and Bobby Bradford (trumpet). They brought in Tom Williamson (bass) and Bruz Freeman (drums) to give structure to their vision: each player listening to and cooperating with the others, contributing to the group's collective expression within the mood ...


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