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MUSICIAN Born:

Joe Morris

Joe Morris was born in New Haven, Connecticut on September 13, 1955. At the age of 12 he took lessons on the trumpet for one year. He started on guitar in 1969 at the age of 14. He played his first professional gig later that year. With the exception of a few lessons he is self-taught. The influence of Jimi Hendrix and other guitarists of that period led him to concentrate on learning to play the blues. Soon thereafter his sister gave him a copy of John Coltrane's OM which inspired him to learn about Jazz and New Music. From age 15 to 17 he attended a student run alternative High School called The Unschool in downtown New Haven next to the campus of Yale University

Out of the Hole

Label: ezz-thetics
Released: 2020
Track listing: Out of the Hole; Aprosexia; Umwelt; Tunnel Mouth; Ed Sullivan; Stella by Starlight.

Studio Sessions Vol. 3

Label: Gaucimusic
Released: 2020
Track listing: Untitled Improvisation 1; Untitled Improvisation 2.

NEWS: VIDEO / DVD

Elmo Hope and Joe Morris

Elmo Hope and Joe Morris

Bebop's fast tempo and complex rhythms were embraced by modern-jazz fans when the jazz style emerged in the mid-1940s. But bop also provided jump blues with an opening. Bebop was spectacular and electrifying, but it wasn't for dancing. It was mostly for sitting and listening. As a result, the big-beat, horn-driven dance music made major inroads ...

ARTICLE: ALBUM REVIEW

Mary Halvorson's Code Girl: Artlessly Falling

Read "Artlessly Falling" reviewed by Vic Albani

Esistono due donne nel mondo del jazz moderno che hanno mostrato di conoscere e capire in toto il genio musicale di Robert Wyatt. La prima, molto tempo fa e quindi in tempi non sospetti, è stata Carla Bley e non c'è altro da aggiungere. La seconda, che è invece colei di cui vogliamo scrivere, è Mary ...

ARTICLE: ALBUM REVIEW

Noah Kaplan Quartet: Out of the Hole

Read "Out of the Hole" reviewed by Glenn Astarita

This is the third installment of saxophonist, composer Noah Kaplan's quartet for the hatology (now ezz-thetics) label amid an eight-year delay between the time the sessions were completed and the issuance of the album. For example, this live outing recorded at Firehouse 12 in Connecticut was consummated in 2012 and released in 2020. But in the ...

ARTICLE: ALBUM REVIEW

Ivo Perelman with Arcado String Trio: Deep Resonance

Read "Deep Resonance" reviewed by Troy Dostert

Throughout his long and prolific recording career, Ivo Perelman has recorded with a large number of free improvisation's leading lights. Pianist Matthew Shipp stands at the top of the pile, with over two dozen joint appearances; Joe Morris, Gerald Cleaver, Whit Dickey, William Parker, and many others help comprise the long list of associates he's maintained ...

ARTICLE: ALBUM REVIEW

Morris / Gauci / Lane: Studio Sessions Vol. 3

Read "Studio Sessions Vol. 3" reviewed by John Sharpe

There is a surprise in store on Brooklyn tenor saxophonist Stephen Gauci's Studio Sessions Volume 3. Not only is celebrated erstwhile guitarist and bassist Joe Morris an unexpected face alongside the reedman, but this time out he features on an unfamiliar instrument, seated behind the drum kit for the two lengthy excursions into uncharted territory. However, ...

NEWS: RECORDING

Whit Dickey 2-CD 'Morph' with Matthew Shipp and Nate Wooley on ESP-DISK. Pre-Order Now.

Whit Dickey 2-CD 'Morph' with Matthew Shipp and Nate Wooley on ESP-DISK. Pre-Order Now.

Whit Dickey has been a quiet but brilliant presence on the New York avant-jazz scene since his discographical debut in 1991 on the legendary Matthew Shipp Trio album Circular Temple. In concert and on recordings in groups led by Shipp, David S. Ware, Ivo Perelman, Joe Morris, and Rob Brown, he built a reputation for distinctively ...

ARTICLE: ALBUM REVIEW

Whit Dickey: Tao Quartets: Peace Planet & Box of Light

Read "Tao Quartets: Peace Planet & Box of Light" reviewed by Giuseppe Segala

Possiamo dire che l'assioma secondo il quale tutti i jazzisti sono sottovalutati, non sia poi così paradossale. Parliamo naturalmente dei musicisti che mettono al primo posto del loro operato il fare artistico e non la realizzazione di un prodotto solo ben accetto sul mercato. Spesso ci troviamo di fronte a musicisti che subiscono tale disattenzione in ...


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