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About Joe Morris
Instrument: Bass, acoustic
Related Articles | Concerts | Albums | Photos | Similar ToIvo Perelman: Seven Skies Orchestra
by Mike Jurkovic
In another reality, where the love one makes is what gets the headlines, the big money, the streaming specials, ceaselessly inquisitive saxophonist and downtown legend Ivo Perelman might just top the list of good guys. The guy who pushes for the better mind, the better heart, and confesses it all to tape or lacquer or binary code; chronicling one man's pursuit of the day. while hopefully inspiring others to cut the course the same. Even before the most ...
read moreIvo Perelman: Molten Gold
by Hrayr Attarian
Saxophonist Ivo Perelman is a restless innovator, and his recorded output is as inventive as it is prolific. On the exhilarating Molten Gold he explores a new sonic texture by playing with the equally idiosyncratic trombonist Ray Anderson. In addition to Anderson, the quartet includes another Chicago native, drummer Reggie Nicholson who developed his unique sound with the Association for the Advancement of Creative Musicians (AACM). Frequent Perelman collaborator, guitarist Joe Morris, here playing double bass, completes the ensemble. The ...
read moreIvo Perelman: Molten Gold
by Mike Jurkovic
A tactile, umbilical cord tension binds you to the slithery movements advanced on Molten Gold, the umpteenth in a slew of hard-core free jazz releases, one of them being the twelve disc set Reed Rapture In Brooklyn (Mahakala, 2022), from the generative mind and horn of saxophonist Ivo Perelman. Recorded at ParkWest Studio by Jim Clouse, Perelman, in full form and fever, assembles fellow rogues trombonist Ray Anderson, bassist Joe Morris and drummer Reggie Nicholson for over eighty minutes of ...
read moreIvo Perelman / Ray Anderson / Joe Morris / Reggie Nicholson: Molten Gold
by Chris May
Lovingly described by one critic as “a leather-lunged monster," reviews of saxophonist Ivo Perelman's albums typically attract words such as honking, squawking, squealing and apocalyptic. Perelman is not interested in the current vogue for creating safe spaces. He is not the sort of free-improv player one would, in the normal course of things, recommend to AAJers wanting to dip a neophyte toe in the genre. But Molten Gold is recommended. And not just to newbies, but to ...
read moreFlow Trio with Joe McPhee: Winter Garden
by Mark Corroto
The thing about free jazz is that it is very much like abstract expressionist painting. Many an inexperienced museum goer will spot a Jackson Pollock and say to herself, “I coulda done that." Actually, you couldn't. Same thing with free jazz. From a distance, it's all hubbub and din, but try your hand at it, and you're just creating babel. In the hands of masters like the Flow Trio and their guest Joe McPhee, that cacophony becomes a beautiful thing, ...
read morePaul Dunmall - Matthew Shipp - Joe Morris - Gerald Cleaver: The Bright Awakening
by John Sharpe
British saxophonist Paul Dunmall reaffirms the transcendent power of free jazz with a muscular quartet convened for his triumphant appearance at the 2012 Vision Festival, for which he invited pianist Matthew Shipp, bassist Joe Morris and drummer Gerald Cleaver to join him. The pianist and reedman were well acquainted, having hooked up during a Shipp residency at London's Cafe Oto in 2010, with the group captured for posterity on Live In London (FMR, 2017). While Dunmall had not previously played ...
read moreTomeka Reid - Joe Morris: Combinations
by John Sharpe
One of the fascinations of a duet is how the alternating tension and balance between the two poles can create an overall mood which differs from either of the constituent parts. Abstraction particularly promotes that sort of ambiguity, and it is especially prevalent in the pairing of cellist Tomeka Reid and guitarist Joe Morris on Combinations, who....er, combine on a program of ten cuts, which include three covers from the free jazz canon alongside unfettered inventions. After a ...
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