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8

Article: Album Review

Noah Preminger: Genuinity

Read "Genuinity" reviewed by Mark Corroto


Quite often when an über-talented musician records a disc under his own name, he uses sidemen of lesser talent so as not to detract from his moment in the limelight, or because his ego won't allow him to play nice. That has never been the case with saxophonist Noah Preminger. On Genuinity, his tenth disc released ...

51

Article: Album Review

Steve Khan: Public Access / Headline / Crossings

Read "Public Access / Headline / Crossings" reviewed by John Kelman


It's been a great couple of years for Steve Khan fans who are (relatively) new to the guitarist's work, especially his early releases, thanks to UK-based BGO Records. First, his '70s-era trio of fusion-centric LPs on Columbia Records, 1977's Tightrope, 1978's The Blue Man and 1979's Arrows, were remastered and reissued in a 2015 two-CD set, ...

9

Article: Album Review

Roxy Coss: The Future is Female

Read "The Future is Female" reviewed by Paul Rauch


Saxophonist/composer Roxy Coss migrated east ten years ago from her native Seattle, seeking a life and career in jazz in New York City. That time has seen her develop a strong and focused voice both as a musician and as an advocate and activist for female artists in America's quintessential art form. Coss gained ...

4

Article: Jazz Bastard

February 2018: The Necks, Vienna Art Orchestra, Elliot Mason

Read "February 2018:  The Necks, Vienna Art Orchestra, Elliot Mason" reviewed by Patrick Burnette


After a January of unusual episodes, the boys are back in the groove for February. Episode 133 features a wide spread of entries, from Juli Wood's tribute to Finnish folk music Synkka Metsa to the Vienna Art Orchestra's energetic homage Duke Ellington's Sound of Love. Alex Sipiagin's Returning also gets a thorough look-in, along ...

14

Article: Interview

Mica Bethea: Quintessential Band Geek

Read "Mica Bethea: Quintessential Band Geek" reviewed by Barbara Salter Nelson


It's Sunday afternoon. Mica Bethea rolls into the Cue Note Billiard Room in Palm Coast, Florida. The 34-year old arranger, composer, bandleader and entrepreneur has arrived for Cue Notes weekly Sunday Afternoon Jazz Rendevous. Bethea (sounds like 'buffet') is the “Note" part of Cue Note, which he co-owns with partner and pool guru John ...

51

Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann


Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...

14

Article: Year in Review

2017: The Year in Jazz

Read "2017: The Year in Jazz" reviewed by Ken Franckling


A year of achievements, challenges to gender inequality, scandal and losses The year 2017 was quite something for the jazz world. Incidents or discussions of misogyny and sexual misconduct bubbled up even before the #MeToo phenomenon developed. Beyond that, woman musicians made significant contributions to the genre. International Jazz Day brought its biggest stage ...

Album

The Elements

Label: Milestone / Concord Music Group
Released: 2017
Track listing: Fire; Air; Water; Earth.

1

Article: Live Review

James Mahone at SFJAZZ

Read "James Mahone at SFJAZZ" reviewed by Harry S. Pariser


James Mahone SFJAZZ The Music of Booker Little San Francisco, CA November 16, 2017 Way back in the early 1960s, a major new composer and trumpeter emerged on the scene, teamed up with extraordinary jazz musicians such as Reggie Workman, Julian Priester, Max Roach, Ron Carter and Eric Dolphy to ...

1

Article: Album Review

The NJE: Afloat

Read "Afloat" reviewed by Gareth Thompson


When a jazz act takes on Jimi Hendrix, you know they do not lack for confidence. Are they experienced? They certainly are, for The NJE (Near Jazz Experience) is led by saxophonist Terry Edwards, whose many credits include Keziah Jones, Tom Waits and P J Harvey. The NJE trio tackles Hendrix's “Voodoo Child" with ...


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