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Day of the Dead Show - A Sonic Alter
by David Brown
This week, we bring you G-Town Radio's 5th annual Day of the Dead weekend. For this week's Jazz Continuum program, we will feature a variety of jazz musicians paying homage to friends, mentors, and icons in the Jazz Continuum. Think of this as a sonic alter to those who came before in the music.
What Jazz Is Best For Running?
by Steve Cook
New York City isn't just an epicenter for the music that All About Jazz readers love. It is also home to the largest marathon in the world. With tens of thousands training for the upcoming race, this edition of The Big Question considers: What jazz is best for running? The following reflects on the question through ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Alina Bzhezhinska & HipHarpCollective: Reflections
by Chris May
In an inspired piece of programming, London's Barbican Centre presented the then virtually unknown harpist Alina Bzhezhinska and her quartet as one of the support bands on its November 18, 2017 one-nighter A Concert for Alice and John, a show headlined by Pharoah Sanders. It would be an exaggeration to say Bzhezhinska stole the show (see ...
Generation Gap Jazz Orchestra: The Generation Gap Jazz Orchestra
by Jack Bowers
The Generation Gap Jazz Orchestra, co-led by pianist/composer Steven Feifke and trumpeter par excellence Bijon Watson, is a seventeen-member ensemble comprising seasoned players paired with young lions who are poised to capture pride of place. Nowhere do the leaders say who is in which group, and it would be impolitic to name them here. Suffice to ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Sisters from Another Jazz Mother? Part 2
by Ludovico Granvassu
You know how scientists say that, statistically, every person has roughly six look-alikes around the world? Well the same seems to be true in the music world, where one can find quite a few songs that appear to be sound-alikes of other compositions we're familiar with... This does not have to be necessarily the result of ...
Chris Oatts: Personalities
by Victor L. Schermer
Saxophonist Chris Oatts is a graduate of the jazz program at Temple University's Boyer College of Music and Dance and the nephew of revered saxophonist—and faculty member of Temple University—Dick Oatts. This reviewer heard Chris Oatts at Chris' Jazz Café (similarity in the names purely coincidental) in September, 2021, with his quintet featuring one of his ...
Horace Silver Quintet: Live New York Revisited
by Chris May
This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's illustrious catalogue. There are several things going for it: the quality and shared intentionality of the two, slightly different, lineups; the choice of material and its careful sequencing; the vibrancy of the performances, which ...
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