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Satoko Fujii - Joe Fonda: 4
by Karl Ackermann
When pianist Satoko Fujii and bassist Joe Fonda first teamed up on Duet (Long Song Records, 2016), neither was familiar with the work of the other. Three short years later, “other" no longer applies, as the instantaneous rapport Fujii and Fonda found has led to a growing portfolio of cutting-edge music. 4 is the latest entry ...
The OGJB Quartet: Bamako
by Jerome Wilson
Over the last forty years, saxophonist Oliver Lake, cornet player Graham Haynes, bassist Joe Fonda and drummer Barry Altschul have played with one another in various configurations, but never all as one group. That changes with the arrival of the OGJB Quartet, a group where these four veteran improvisers come together for a powerful session of ...
Satoko Fujii / Ramon Lopez: Confluence
by Karl Ackermann
Satoko Fujii's duo recordings are among her most interesting projects. Those one-on-one situations bring out creative energy in the improviser that becomes perpetual movement between musicians. The shape-shifting artist has worked this magic with Australian pianist Alister Spence, bassist Joe Fonda, violinists Mark Feldman and Carla Kihlstedt, and Fujii's husband, trumpeter Natsuki Tamura. Similarly, Fujii's work ...
Satoko Fujii, Joe Fonda: Mizu
by Neri Pollastri
Nel 2017 la Long Song Records aveva avuto modo di pubblicare un disco in duo della prolifica pianista giapponese Satoko Fujii con il contrabbassista statunitense Joe Fonda, Duet. Lo stesso anno e il successivo i due musicisti hanno attraversato l'Europa in tour, registrando assieme a Gianni Mimmo l'ottimo Triad, pubblicato dalla medesima etichetta italiana, che adesso ...
The Creative Musicians Improvisers Forum: New Haven's AACM
by Daniel Barbiero
The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...
OGJB Quartet & The Last Poets
by Maurice Hogue
There's no way to use geographical borders to define this music called jazz. For instance, the Freequestra from Slovenia: led by acclaimed guitarist Samo Salamon— the ensemble wends its way with power and emotion through Salamon's new Free Sessions Vol.2, a rollicking excursion through the avant-garde. Or in the case of OGJB, a quartet of four ...
Joe Fonda: New Origin
by Mike Jurkovic
On New Origin veteran bassist Joe Fonda and drummer Harvey Sorgen—(Ahmad Jamal, Dewy Redman) boldly return to the passion that forged Dreamstruck (Not Two, 2018), their unstoppable trio excursion with Marilyn Crispell. Sworn architects of reverberant depth and the collective accord separating us from AI, the vets team this time with the equally free ...
Spring 2019
by Doug Collette
Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Brandon Goldberg Let's Play Self Produced 2019 Brandon Goldberg's debut album offers proof ...
Christophe Rocher / Joe Fonda / Harvey Sorgen: New Origin
by John Sharpe
As the title implies, New Origin represents a fertile coming together, the principals in this case being the veteran American rhythm team of bassist Joe Fonda and drummer Harvey Sorgen, with French clarinetist Christophe Rocher. Fonda and Sorgen share a lengthy association, which encompasses the long-running Fonda/Stevens Group and a trio of more recent vintage with ...
Vinny Golia, Gianni Mimmo: Explicit
by Neri Pollastri
Ormai una dozzina d'anni orsono intervistammo l'allora quasi sconosciuto sopranista pavese Gianni Mimmo, che aveva appena inaugurato l'etichetta discografica Amirani Records (clicca qui per leggere l'intervista); Mimmo dichiarava di essere sempre stato attratto in primo luogo dal suono e di essersi dedicato esclusivamente al sax soprano proprio perché, a causa della sua “imperfezione," è uno strumento ...
