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400

Article: Multiple Reviews

Two by One For All

Read "Two by One For All" reviewed by Ken Dryden


One For All Incorrigible Jazz Legacy 2010 One For All Return of the Lineup Sharp Nine 2009 One For All is a collective of hard bop/straight-ahead players who have busy ...

524

Article: Live From New York

May 2010

Read "May 2010" reviewed by AAJ Staff


Adam Lane Brooklyn LyceumBrooklyn, NY April 14, 2010While bassist Adam Lane's Full Throttle Orchestra is named to conjure up great size and bombast, at present it's a compact sextet whose sonic inventory includes passages of nuance and overall calm. With a Bay Area lineup, Lane has released No(w) Music (Cadence, ...

514

Article: Album Review

Eric Alexander: Eric Alexander Quartet: Chim Chim Cheree

Read "Eric Alexander Quartet: Chim Chim Cheree" reviewed by Sean Coughlin


Chim Chim Cheree has been dubbed “a tribute to John Coltrane." Returning with usual sidemen Harold Mabern at the piano, Joe Farnsworth on drums, and bassist John Webber, this album represents a thorough examination of Coltrane's music made up of Coltrane originals and tunes Coltrane ostensibly owned throughout his career. While George Coleman, Dexter Gordon, and ...

456

Article: Album Review

Cedar Walton: Voices Deep Within

Read "Voices Deep Within" reviewed by Russ Musto


Since 2001, Cedar Walton's regular excursions into Rudy Van Gelder's legendary Englewood Cliffs studio for the HighNote label have consistently resulted in some of this century's finest mainstream jazz recordings. On Voices Deep Within he continues the tradition, once again demonstrating the vitality and endurance of (t)his music. Despite his ever growing popularity and critical acclaim ...

315

Article: Multiple Reviews

Steve Davis: Eloquence & Jam Session, Vol. 28

Read "Steve Davis: Eloquence & Jam Session, Vol. 28" reviewed by George Kanzler


Steve DavisEloquenceJazz Legacy Productions2009 Various ArtistsJam Session Vol. 28SteepleChase2009 If today's jazz mainstream is anchored in bebop and hard bop, trombonist Steve Davis has superb credentials, from tenures with the ...

296

Article: Bailey's Bundles

The State of the Trombone 2009: Steve Davis and Luis Bonilla

Read "The State of the Trombone 2009: Steve Davis and Luis Bonilla" reviewed by C. Michael Bailey


Jazz offers ample opportunity to hear diametrically opposed ideas and approaches coming from similar ensembles (and sometimes the same ensemble, as with saxophonist John Coltrane). Consider, on one side, the middle-of-the-road, mainstream, standards jazz made early on by trumpeter Miles Davis and the free jazz of saxophonist Ornette Coleman. The trombone has had players in both ...

298

Article: Album Review

Mike DiRubbo: Repercussion

Read "Repercussion" reviewed by David A. Orthmann


Over the past several years Mike DiRubbo has made engaging discs for the Criss Cross and Cellar Live labels. On Keep Steppin' (2001), Human Spirit (2003), and New York Accent (2006), the young alto and soprano saxophonist distinguished himself in bands comprised of some of the cream of New York City's straight-ahead players--Jim Rotondi, Joe Farnsworth, ...

231

Article: Multiple Reviews

Jazz Legacy Productions: Sprucing up the Old School

Read "Jazz Legacy Productions: Sprucing up the Old School" reviewed by J Hunter


At a time when most entrepreneurs blanche at even a mention of the economy, bassist John Lee has damned the torpedoes and gone full speed ahead with his new label, Jazz Legacy Productions. Structured as an artists-for-artists'-sake venture, JLP gives established, non-"flavor of the month" players a place to be heard again. What's more, for every ...

554

Article: Live From New York

September 2009

Read "September 2009" reviewed by AAJ Staff


Jenny ScheinmanLe Poisson RougeNew York City August 4, 2009The chameleon-like but ever electric Nels Cline seemed at first to be an unusual partner for violinist Jenny Scheinman, but if anything the guitarist knows how to make things work and he pushed the quartet (with bassist Matt Penman and drummer Jim ...

265

Article: Album Review

Grant Stewart: Plays the Music of Duke Ellington & Billy Strayhorn

Read "Plays the Music of Duke Ellington & Billy Strayhorn" reviewed by George Kanzler


Here's a refreshing take on Ellingtonia, one that doesn't rely on the overdone ("Take the A Train," “Perdido") or easy ("C-Jam Blues"). Canadian native Grant Stewart brings a post-Swing, combo approach to his Ellingtonia, even going so far as to reference Max Roach, Sonny Rollins, Charles Mingus, Thelonious Monk{{ and the {{Duke Ellington/John Coltrane collaboration. The ...


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