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Two by One For All

by Ken Dryden
One For All Incorrigible Jazz Legacy 2010 One For All Return of the Lineup Sharp Nine 2009 One For All is a collective of hard bop/straight-ahead players who have busy ...
May 2010

by AAJ Staff
Adam Lane Brooklyn LyceumBrooklyn, NY April 14, 2010While bassist Adam Lane's Full Throttle Orchestra is named to conjure up great size and bombast, at present it's a compact sextet whose sonic inventory includes passages of nuance and overall calm. With a Bay Area lineup, Lane has released No(w) Music (Cadence, ...
Eric Alexander: Eric Alexander Quartet: Chim Chim Cheree

by Sean Coughlin
Chim Chim Cheree has been dubbed a tribute to John Coltrane." Returning with usual sidemen Harold Mabern at the piano, Joe Farnsworth on drums, and bassist John Webber, this album represents a thorough examination of Coltrane's music made up of Coltrane originals and tunes Coltrane ostensibly owned throughout his career. While George Coleman, Dexter Gordon, and ...
Cedar Walton: Voices Deep Within

by Russ Musto
Since 2001, Cedar Walton's regular excursions into Rudy Van Gelder's legendary Englewood Cliffs studio for the HighNote label have consistently resulted in some of this century's finest mainstream jazz recordings. On Voices Deep Within he continues the tradition, once again demonstrating the vitality and endurance of (t)his music. Despite his ever growing popularity and critical acclaim ...
Steve Davis: Eloquence & Jam Session, Vol. 28

by George Kanzler
Steve DavisEloquenceJazz Legacy Productions2009 Various ArtistsJam Session Vol. 28SteepleChase2009 If today's jazz mainstream is anchored in bebop and hard bop, trombonist Steve Davis has superb credentials, from tenures with the ...
The State of the Trombone 2009: Steve Davis and Luis Bonilla

by C. Michael Bailey
Jazz offers ample opportunity to hear diametrically opposed ideas and approaches coming from similar ensembles (and sometimes the same ensemble, as with saxophonist John Coltrane). Consider, on one side, the middle-of-the-road, mainstream, standards jazz made early on by trumpeter Miles Davis and the free jazz of saxophonist Ornette Coleman. The trombone has had players in both ...
Mike DiRubbo: Repercussion

by David A. Orthmann
Over the past several years Mike DiRubbo has made engaging discs for the Criss Cross and Cellar Live labels. On Keep Steppin' (2001), Human Spirit (2003), and New York Accent (2006), the young alto and soprano saxophonist distinguished himself in bands comprised of some of the cream of New York City's straight-ahead players--Jim Rotondi, Joe Farnsworth, ...
Jazz Legacy Productions: Sprucing up the Old School

by J Hunter
At a time when most entrepreneurs blanche at even a mention of the economy, bassist John Lee has damned the torpedoes and gone full speed ahead with his new label, Jazz Legacy Productions. Structured as an artists-for-artists'-sake venture, JLP gives established, non-"flavor of the month" players a place to be heard again. What's more, for every ...
September 2009

by AAJ Staff
Jenny ScheinmanLe Poisson RougeNew York City August 4, 2009The chameleon-like but ever electric Nels Cline seemed at first to be an unusual partner for violinist Jenny Scheinman, but if anything the guitarist knows how to make things work and he pushed the quartet (with bassist Matt Penman and drummer Jim ...
Grant Stewart: Plays the Music of Duke Ellington & Billy Strayhorn

by George Kanzler
Here's a refreshing take on Ellingtonia, one that doesn't rely on the overdone ("Take the A Train," Perdido") or easy ("C-Jam Blues"). Canadian native Grant Stewart brings a post-Swing, combo approach to his Ellingtonia, even going so far as to reference Max Roach, Sonny Rollins, Charles Mingus, Thelonious Monk{{ and the {{Duke Ellington/John Coltrane collaboration. The ...