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BuJazzO: That's German for Swinging Big Band Jazz
by Jack Bowers
On August 8, my friend Wes Pfarner and I drove to Santa Fe for a once-in-a lifetime event: a performance by the German Federal Youth Jazz Orchestra, better known to big band enthusiasts by its more condensed and colorful name, BuJazzO. The twenty-piece ensemble, directed by Jiggs Whigham, an American trombonist and educator from Cleveland, Ohio, ...
Take Five With Torben Waldorff
by AAJ Staff
Meet Torben Waldorff: Born and raised in Denmark. Went to Berklee for four years. Have two CDs out on Swedish label LJ-Records. Signed with ArtistShare in New York 2006, with three CDs out--Brilliance, Afterburn and American Rock Beauty, all with saxophonist Donny McCaslin, a friend from the Berklee days, plus drummer Jon Wikan and ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
Big Band Jazz: It's Not Just for Guys Anymore
by Jack Bowers
Back in the early '90s, Stanley Kay, one-time back-up drummer for the incomparable Buddy Rich, later a manager of such artists as Maurice Hines, Michelle Lee and Paul Burke and the entertainment director for the New York Yankees, had a good idea: the time had come, he reasoned, to assemble an all-woman big band that would ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by John Kelman
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 Even now, nearly sixty years later, it seems improbable that a group which came together as the rhythm section for one of the hottest players in bebop's genesis era, trumpeter Dizzy Gillespie, ...
Quentin Moore: Portrait of the Artist as a Young Man
by Chris M. Slawecki
Much has been recently written about the “graying" of jazz and the audience who listens to it, young musicians seem to continually discover (and rediscover) its enduring value--and not just the value of jazz as its own standalone genre, but the benefit of incorporating aspects of jazz, such as improvisation and arrangement, into music of every ...
Jack's Gone! No He Isn't; Yes He Is; No He Isn't...!
by Jack Bowers
As I sat down to write this month's column, word came that trumpeter Jack Sheldon had died. No sooner had I written a few words about that when word came that trumpeter Jack Sheldon had not died. After some back-and-forth on the internet (is he or isn't he?), the last report, it seems, was the true ...
Evan Weiss: Math or Magic
by David Rickert
Combining jazz improvisation and classical composition has been an irresistible idea for many--an intellectual problem promising that, perhaps, the result will combine the best qualities of both. However, in practice, the third stream movement has largely been an indication of boring, pretentious recordings to avoid. But then a guy like Evan Weiss comes along with his ...
Inntoene Festival: Diersbach, Austria, June 10-12, 2011
by Sebastian Scotney
Inntoene Festival 2011 Diersbach, Austria June 10-12, 2011 I overheard a conversation at the Inntoene Festival in Austria. In a mock-incredulous tone, one New York musician was asking another: “Straight up. You're telling me. That this whole farm place. Is owned. By a trombonist?!“ Cue laughter and the ...
Gold Medalists Abound at Big Band Olympics
by Jack Bowers
As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's “Big Band Olympics," which ...
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