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Article: Catching Up With

Zach Brock: Jazz Violin's New Wave

Read "Zach Brock: Jazz Violin's New Wave" reviewed by Angelo Leonardi


Best known for his work with Snarky Puppy, Zach Brock is among the most creative violinists of his generation. Zach Brock is bringing the violin back to center stage. Influenced by European masters of the seventies like Jean-Luc Ponty, Zbigniew Seifert, Didier Lockwood, Brock has widened his perspective from modern jazz to rock, finding a synthesis ...

Article: Live Review

Wire Trio alla Casa del Jazz

Read "Wire Trio alla Casa del Jazz" reviewed by Mario Calvitti


Wire Trio Roma Jazz Festival 2018 Casa del Jazz 08.07.2018 Il cinquantennale del festival di Woodstock del 1969 ricorrerà il prossimo anno, ma le celebrazioni sono già cominciate. Il recente progetto Woodstock Reloaded del Wire Trio di Enzo Pietropaoli con Enrico Zanisi e Alessandro Paternesi ha già prodotto un CD ...

13

Article: Album Review

Esbjorn Svensson Trio: e.s.t. live in london

Read "e.s.t. live in london" reviewed by Ian Patterson


Ten years on from the tragic death of Esbjörn Svensson, it's easy to forget just how ground-breaking e.s.t. was. Its seamless embrace of jazz, pop, rock and electronics aesthetics brought CD sales and a following more typical of successful pop acts. It was also the first European jazz band on the cover of Downbeat. Easy to ...

5

Article: Album Review

Marbin: Israeli Jazz

Read "Israeli Jazz" reviewed by Chris M. Slawecki


Marbin's name and music come from the combined visions of saxophonist Danny Markovitch and guitarist Dani Rabin. Dani was born in California but grew up in Israel, where he met Markovitch and first formed Marbin as a duo in 2007. “Both Danny and I grew up in Israel listening to Israeli music, but we ...

1

Article: Album Review

Charles Lloyd & the Marvels + Lucinda Williams: Vanished Gardens

Read "Vanished Gardens" reviewed by Luca Muchetti


Un incanto di album. La chitarra tesa, dai richiami folk e sognante è quella inconfondibile del maestro Bill Frisell, il sassofono è quello lirico di Charles Lloyd, il musicista che dal quartetto anni Sessanta con Keith Jarrett passò ai Celebration al fianco dei Beach Boys per poi tornare al jazz negli anni Ottanta e Novanta dopo ...

10

Article: From the Inside Out

Sonic Styles of the Seventies

Read "Sonic Styles of the Seventies" reviewed by Chris M. Slawecki


Hugo Fattoruso Hugo Fattoruso Y Bario Opa Far Out Recordings 2018 Once upon a time in Uruguay, teenage brothers Osvaldo and Hugo Fattoruso stepped out of their musical family trio to play guitar and bass for popular Latin American jazz (swing) and rock 'n' roll ensembles venturing in ...

2

Article: Album Review

Eric Clapton: Life In 12 Bars: Original Motion Picture Soundtrack

Read "Life In 12 Bars: Original Motion Picture Soundtrack" reviewed by Doug Collette


There's no scarcity of anthologies devoted to the span of Eric Clapton's work throughout his career, so there's a danger the soundtrack to Lili Fini Zanuck's documentary, Life in 12 Bars, will immediately seem redundant. Yet this companion piece to the film is perfectly complementary, deceptively discerning collection, even apart from the previously-unreleased items it contains. ...

7

Article: Album Review

Charles Lloyd &The Marvels + Lucinda Williams: Vanished Gardens

Read "Vanished Gardens" reviewed by Mark Sullivan


At age 80 legendary saxophonist/composer Charles Lloyd shows no signs of slowing down. In addition to his New Quartet--most recently documented on Passin' Thru (Blue Note Records, 2017)--he has collaborated with the Greek singer Maria Farantouri on Athens Concert (ECM, 2011); played duets with Quartet pianist Jason Moran on Hagar's Song (ECM, 2013); and produced a ...

27

Article: Live Review

Festival International de Jazz de Montréal 2018: Part 1

Read "Festival International de Jazz de Montréal 2018: Part 1" reviewed by John Kelman


Part 1 | Part 22018 Festival International de Jazz de Montréal, Various Venues, Montréal, Canada June 29-July 3, 2018 Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...

7

Article: Album Review

Anansi Trio: On The Path

Read "On The Path" reviewed by Jerome Wilson


The concept of a sax-bass-drums trio is not a new one, but Washington, DC's Anansi Trio puts a new twist on the idea through Mark Merella playing what he calls a hybrid drum kit, incorporating conga drums, cymbals and parts of a trap drum set. This adds extra measures of bounce and groove to his playing ...


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